Download December 2020 Issue
While the legendary Elton John drummer has been a DW drums endorser for years—the company famously built him a custom kit for the pop star’s 2012 Million Dollar Piano Las Vegas residency that displays the badge of the Royal Air Force No. 610 Squadron, of which he is an honorary member—during Elton’s ’70s and ’80s heyday, he played Slingerland. Olsson used the kit shown here on multiple tours, and variations of it in the studio. Nigel spoke about the kit in his February 1985 Modern Drummer feature:
“I designed the drumkit ten years ago and had Slingerland build it for me. They built six kits for me, two of which I still have. But I had it all oversized—outrageous sizes. All wooden rims because in recording, particularly, the wooden rims cut down a lot on rattles and stuff. The stage kit has the metal rims, because they are a little bit louder and they travel better. When they built the kit, after they had done the six, they destroyed the molds so there is no chance of any more. There’s one studio kit and one stage kit.
“[I use oversized drums] just for tonal quality really. I wanted them as deep as possible because I’ve always gone for that deep sound. The note carries on longer than a regular drumkit. The length provides the tonal quality. They’re the standard sizes, but just [with] the elongated shells. The bass drum is like a cannon. It’s very, very deep, but not big around. It’s only 20”. The length gets that big, big sound.”
Articles in December 2020
What Now?
The Four E’s As I write this, we are smack dab in the middle of the COVID crisis. This pandemic has affected us all now for many months. I mention this because it’s had a massive impact on musicians working…
The D.I.Y. Guide to Drums by Lisa Schonberg
While it was always a quirky addition to pedagogic literature, this hugely expanded 2020 volume retains the handmade charms of the original ’zine and leverages the author’s years of teaching experience to deliver an approachable, delightful roadmap for beginners and…
Stick Technique Revisited
Part 6: Perfect Practice and Building Speed Many drum instructors say, “Play naturally.” The problem with that statement is that we naturally hold on to things tightly. Have you ever seen someone pick up a drumstick for the first time…
Vic Firth Re-Mix Brushes
A quartet of interchangeable implements for varying degrees of attack, tone, and volume. Vic Firth recently expanded its catalog with four pairs of uniquely designed Re-Mix brushes/rods made from different types of organic material, ranging from soft and subtle broomcorn…
Gretsch, Latin Percussion, Steinberg, Peavey and more
Gretsch Brooklyn Series Drumkits Two new Nitron finishes have been added to the Brooklyn series: Blue Burst Pearl and White Marine Pearl. Constructed from 6-ply North American maple and poplar, Brooklyn series drums are finished with 3 mm double-flanged 302…
Get on the Good Foot!
Hi-Hat Comping Riffs in 3/4 Welcome to the second part of this three-part series on hi-hat comping. In this lesson we’ll explore repetitive hi-hat motifs in 3/4. The phrases included here are intended to help develop dynamic balance between the…
Playing to Type
People like to put other people in psychological boxes, and boxes within those boxes: Being an artist takes a certain kind of personality. And among artists, your average actor is said to be like this, while a musician is like…
Critique
RECORDINGS Louisiana’s LeRoux One of Those Days The latest from this funky southern-rock institution shows the group still has get-up-and-go. LeRoux, sometimes known as Lousiana’s LeRoux, enjoyed some major-label success with their 1978 Capitol debut and have remained regionally active.…
Centent Cymbals - Ardor, Sparks, and Emperor Series
Handcrafted and highly affordable B20 options from a Chinese company with roots that date back hundreds of years. Centent is a Chinese company that produces high-quality yet competitively priced cymbals out of different bronze alloys, including B8 (8-percent tin/92-percent copper),…
Remembering Neil Peart
Part 4: “YYZ” This transcription is from the Buddy Rich Memorial Concert where Neil Peart played a big band version of the legendary Rush instrumental track “YYZ.” The introduction was conducted and written in 5/4. The main melody is in…
Terry Bozzio
I knew I had to make my own statement or go on for the rest of my life depending on someone else to be the creative genius. I didn’t want to live with myself that way. It’s funny, in the…
Gene Krupa
The Swing Era’s Brightest Star For this series, we’d be very remiss if we didn’t discuss the great swing drummer Gene Krupa. Gene was one of the most prominent people to bring drums to the forefront in an ensemble. Prior…
Cajon You Dig It?
The owner of this month’s KOTM took the now-ubiquitous percussion instrument to its next logical step. The kit that Luke Ross uses with his all-acoustic band Company of Crows is composed entirely of cajons built by the Croaker Percussion company,…
Khari Parker (1974–2020)
Drummer Khari Parker passed away on June 27. He was forty-six. Widely respected for his diverse musical skills and top-flight professionalism, Parker was a first-call player for many of the top bandleaders and producers in Chicago and throughout the country.…
The Classic Recordings of Ginger Baker, Part 3: The Solo Albums
Following a prolific period when Ginger Baker made his name with Cream, Blind Faith, and Ginger Baker’s Air Force, and collaborated with Fela Kuti, the mid ’70s found the drummer setting up a recording studio in Africa, playing polo, trying…
Chris Frantz’s Remain in Love
The Talking Heads never fit neatly into the grimy mid-’70s New York punk scene that bore the Voidoids, the Ramones, and Johnny Thunders’ Heartbreakers. Transplants from the Rhode Island School of Design, the band’s initial clean-cut aesthetic ran contrary to…
Drum City Guitarland
Wheat Ridge, Colorado A former professional drummer who once played drums for Frank Sinatra, Ronny Kae lived and breathed drums. In 1964, with only $50 in his pocket, Kae moved from Brooklyn, New York, to Colorado, where he bought a…
Bill Bruford - Part 1: One of a Kind
Trailblazing West Coast swing drummer Shelly Manne once mused that a true jazz musician never plays it the same way once. Throughout his stellar career, the iconic progressive rock and jazz drummer Bill Bruford had adopted Manne’s paradoxical mantra as…
In the Studio with Drummer/Producer Evan Hutchings
Evan Hutchings made the move from Fort Smith, Arkansas, to Nashville in 2006, enrolling at Middle Tennessee State with a plan to be a studio musician. “I wanted to be Steve Jordan,” he says. “That was the goal.” Like many…
