December 2020 – Volume 44 • Number 12
Vic Firth recently expanded its catalog with four pairs of uniquely designed Re-Mix brushes/rods made from different types of organic material, ranging from soft and subtle broomcorn to a combo of stiff yet flexible birch and rattan. These models are all 14.125" long and feature rubber-coated, rectangular handles, which allow them to be paired with one another for additional sonic options.
The Re-Mix series brushes were created with renowned percussionist Pete Lockett and can be used to great effect on drumset, cajon, and other world percussion instruments. List price for each pair is $60, and a combo pack of RM2 (African grass) and RM3 (birch) lists for $110.
The lightest and softest model in the Re-Mix series is the RM1. It features a bundle of loosely held together broomcorn. These brushes produce delicate tones with a soft attack and enhanced low tones. They can be used similarly to traditional wire brushes, for sweeps and taps, or they can be used for subtle train beats or other organic drumset/percussion patterns. They’re best suited for very quiet acoustic applications or studio recordings. They don’t project enough sound to compete with amplified instruments (unless paired with one of the harder models).
Articles in December 2020
In the Studio with Drummer/Producer Evan Hutchings
Evan Hutchings made the move from Fort Smith, Arkansas, to Nashville in 2006, enrolling at Middle Tennessee State with a plan to be a studio musician. “I wanted to be Steve Jordan,” he says. “That was the goal.” Like many…
Simon Phillips
On Reading and Four-on-the-Floor “Not from Here” is one of the songs on a DVD/download titled The Gannin Arnold Project that Drum Channel produced featuring Gannin Arnold, Tim Landers, and Billy Mohler, along with five guest drummers: Taylor Hawkins, Jimmy…
Dafnis Prieto
Whether it’s through his recordings, performances, videos, or multiple forms of instruction, the drummer actively seeks to knock down barriers of thought and expression. How can you expand your drumming palette for only seven dollars and in only thirty minutes?…
Khari Parker (1974–2020)
Drummer Khari Parker passed away on June 27. He was forty-six. Widely respected for his diverse musical skills and top-flight professionalism, Parker was a first-call player for many of the top bandleaders and producers in Chicago and throughout the country.…
Critique
RECORDINGS Louisiana’s LeRoux One of Those Days The latest from this funky southern-rock institution shows the group still has get-up-and-go. LeRoux, sometimes known as Lousiana’s LeRoux, enjoyed some major-label success with their 1978 Capitol debut and have remained regionally active.…
Sonor - Benny Greb Signature Snares
A duo of high-performance drums set to meet—if not exceed—all your backbeat needs. Ten years ago, Sonor introduced the original 5.75x13 signature beech snare for top endorsing artist Benny Greb. Greb and Sonor recently revisited that incredibly popular model to…
Centent Cymbals - Ardor, Sparks, and Emperor Series
Handcrafted and highly affordable B20 options from a Chinese company with roots that date back hundreds of years. Centent is a Chinese company that produces high-quality yet competitively priced cymbals out of different bronze alloys, including B8 (8-percent tin/92-percent copper),…
Get on the Good Foot!
Hi-Hat Comping Riffs in 3/4 Welcome to the second part of this three-part series on hi-hat comping. In this lesson we’ll explore repetitive hi-hat motifs in 3/4. The phrases included here are intended to help develop dynamic balance between the…
Bill Bruford - Part 1: One of a Kind
Trailblazing West Coast swing drummer Shelly Manne once mused that a true jazz musician never plays it the same way once. Throughout his stellar career, the iconic progressive rock and jazz drummer Bill Bruford had adopted Manne’s paradoxical mantra as…
The D.I.Y. Guide to Drums by Lisa Schonberg
While it was always a quirky addition to pedagogic literature, this hugely expanded 2020 volume retains the handmade charms of the original ’zine and leverages the author’s years of teaching experience to deliver an approachable, delightful roadmap for beginners and…
Playing to Type
People like to put other people in psychological boxes, and boxes within those boxes: Being an artist takes a certain kind of personality. And among artists, your average actor is said to be like this, while a musician is like…
The Classic Recordings of Ginger Baker, Part 3: The Solo Albums
Following a prolific period when Ginger Baker made his name with Cream, Blind Faith, and Ginger Baker’s Air Force, and collaborated with Fela Kuti, the mid ’70s found the drummer setting up a recording studio in Africa, playing polo, trying…
Simon Phillips
Showbiz history is dotted with “triple-threat” performers who were top-flight actors, singers, and dancers, from Gene Kelly to Judy Garland to Sammy Davis Jr. to Beyoncé. Rarer still are those who can boast extraordinary performance and technical skills, bona fide…
What Now?
The Four E’s As I write this, we are smack dab in the middle of the COVID crisis. This pandemic has affected us all now for many months. I mention this because it’s had a massive impact on musicians working…
Dana Hawkins
Drawing on the hectic atmospheres and hyperspeed rhythms of drum ’n’ bass music, the drummer, whose credits include Meshell Ndegeocello, Jeremy Pelt, and Lizzo, is revitalizing jazz with his prickly, seemingly time-altering drumming. The future of drumming, the future of…
Remembering Neil Peart
Part 4: “YYZ” This transcription is from the Buddy Rich Memorial Concert where Neil Peart played a big band version of the legendary Rush instrumental track “YYZ.” The introduction was conducted and written in 5/4. The main melody is in…
Download December 2020 Issue
The Modern Drummer November 2020 Issue – Volume 44 • Number 12, comes in two versions the print version and the extended digital version that includes bonus articles and was used to create our new flipbook. The flipbook experience is…
Stick Technique Revisited
Part 6: Perfect Practice and Building Speed Many drum instructors say, “Play naturally.” The problem with that statement is that we naturally hold on to things tightly. Have you ever seen someone pick up a drumstick for the first time…
Terry Bozzio
I knew I had to make my own statement or go on for the rest of my life depending on someone else to be the creative genius. I didn’t want to live with myself that way. It’s funny, in the…
