December 2020 – Volume 44 • Number 12
“Not from Here” is one of the songs on a DVD/download titled The Gannin Arnold Project that Drum Channel produced featuring Gannin Arnold, Tim Landers, and Billy Mohler, along with five guest drummers: Taylor Hawkins, Jimmy Chamberlin, Terry Bozzio, Gary Novak, and Simon Phillips. All of the drummers played this track, which demonstrated how each player’s style and time feel had a unique influence on the music. This is the transcription from Simon Phillips’ performance. We also had a great conversation with Simon about the importance of reading and improvising.
“Learning to read is a great tool to have in your toolbox, and there’s something to be said about playing by ear,” says Simon. “I think these two tools are very important, especially when you do sessions. It’s really good in certain scenarios not to get a chart out and start writing because the artist might be put off by that—it’s too studious and straight. I was brought up in England in the ’70s, so that would have been considered very square. But reading is an incredibly important tool, so if you can mix them both it’s great.
“When I played with my father, I had to play four on the kick all the time. He hated dropping bombs and bebop. I got into a conversation with Art Blakey about it at the Montreux Jazz Festival. I didn’t really follow Art much back then, but I knew what he did. He was incredible. He could hear from across the stage that I wasn’t feathering the bass drum.
Articles in December 2020
Wood or Nylon Tip?
Nylon! Lasts much longer than wood (so you save cash!), and you never have to worry about a chipped stick tip on a ride cymbal. I also play darker cymbals, so the nylon tips add some extra clarity rather than…
Bennie Rodgers II
The Oakland, California, native has been applying his vast skills to a style that originated halfway across the globe—and like K-pop itself, he’s been winning over fans from sea to shining sea and beyond. Bennie Rodgers II is a veteran…
Marla Leigh
Having “good time” can mean many things to a musician. For this veteran frame drummer, waiting for the right moment to execute a plan, even if that means years, can turn out to be the best decision. For twenty years,…
Dana Hawkins
Drawing on the hectic atmospheres and hyperspeed rhythms of drum ’n’ bass music, the drummer, whose credits include Meshell Ndegeocello, Jeremy Pelt, and Lizzo, is revitalizing jazz with his prickly, seemingly time-altering drumming. The future of drumming, the future of…
Sonor - Benny Greb Signature Snares
A duo of high-performance drums set to meet—if not exceed—all your backbeat needs. Ten years ago, Sonor introduced the original 5.75x13 signature beech snare for top endorsing artist Benny Greb. Greb and Sonor recently revisited that incredibly popular model to…
Gene Krupa
The Swing Era’s Brightest Star For this series, we’d be very remiss if we didn’t discuss the great swing drummer Gene Krupa. Gene was one of the most prominent people to bring drums to the forefront in an ensemble. Prior…
Jonas Brothers’ Jack Lawless
New Jersey native Jack Lawless started out as the drummer of Joe Jonas’s chart-topping alternative-pop group DNCE. When the Jonas Brothers got back together, Lawless got the call for that tour as well. We were able catch up with him…
Drum City Guitarland
Wheat Ridge, Colorado A former professional drummer who once played drums for Frank Sinatra, Ronny Kae lived and breathed drums. In 1964, with only $50 in his pocket, Kae moved from Brooklyn, New York, to Colorado, where he bought a…
Khari Parker (1974–2020)
Drummer Khari Parker passed away on June 27. He was forty-six. Widely respected for his diverse musical skills and top-flight professionalism, Parker was a first-call player for many of the top bandleaders and producers in Chicago and throughout the country.…
Gretsch, Latin Percussion, Steinberg, Peavey and more
Gretsch Brooklyn Series Drumkits Two new Nitron finishes have been added to the Brooklyn series: Blue Burst Pearl and White Marine Pearl. Constructed from 6-ply North American maple and poplar, Brooklyn series drums are finished with 3 mm double-flanged 302…
Critique
RECORDINGS Louisiana’s LeRoux One of Those Days The latest from this funky southern-rock institution shows the group still has get-up-and-go. LeRoux, sometimes known as Lousiana’s LeRoux, enjoyed some major-label success with their 1978 Capitol debut and have remained regionally active.…
In the Studio with Drummer/Producer Evan Hutchings
Evan Hutchings made the move from Fort Smith, Arkansas, to Nashville in 2006, enrolling at Middle Tennessee State with a plan to be a studio musician. “I wanted to be Steve Jordan,” he says. “That was the goal.” Like many…
Playing to Type
People like to put other people in psychological boxes, and boxes within those boxes: Being an artist takes a certain kind of personality. And among artists, your average actor is said to be like this, while a musician is like…
Download December 2020 Issue
The Modern Drummer November 2020 Issue – Volume 44 • Number 12, comes in two versions the print version and the extended digital version that includes bonus articles and was used to create our new flipbook. The flipbook experience is…
Cajon You Dig It?
The owner of this month’s KOTM took the now-ubiquitous percussion instrument to its next logical step. The kit that Luke Ross uses with his all-acoustic band Company of Crows is composed entirely of cajons built by the Croaker Percussion company,…
Bill Bruford - Part 1: One of a Kind
Trailblazing West Coast swing drummer Shelly Manne once mused that a true jazz musician never plays it the same way once. Throughout his stellar career, the iconic progressive rock and jazz drummer Bill Bruford had adopted Manne’s paradoxical mantra as…
Simon Phillips
Showbiz history is dotted with “triple-threat” performers who were top-flight actors, singers, and dancers, from Gene Kelly to Judy Garland to Sammy Davis Jr. to Beyoncé. Rarer still are those who can boast extraordinary performance and technical skills, bona fide…
Get on the Good Foot!
Hi-Hat Comping Riffs in 3/4 Welcome to the second part of this three-part series on hi-hat comping. In this lesson we’ll explore repetitive hi-hat motifs in 3/4. The phrases included here are intended to help develop dynamic balance between the…
Remembering Neil Peart
Part 4: “YYZ” This transcription is from the Buddy Rich Memorial Concert where Neil Peart played a big band version of the legendary Rush instrumental track “YYZ.” The introduction was conducted and written in 5/4. The main melody is in…
