December 2020 – Volume 44 • Number 12
Having recorded and/or toured with archetypal prog bands Yes, King Crimson, U.K., Genesis, and Gong, Bill Bruford has rightly earned his reputation as one of the founding fathers of British progressive rock drumming. Exhibiting a mastery of odd time signatures, a passion to experiment with electronic percussion, an instantly recognizable stinging-ringing snare sound, and a willingness to slip into new and challenging musical settings has afforded Bruford the rare status of royalty in the professional drumming community.
Legendary for his restless creativity, Bruford shocked his bandmates and the music industry at large when he exited the commercially successful Yes for the semi-improvisational King Crimson in 1972. Decades later, musicians of all walks still marvel at the young drummer’s conscientious risk-taking maneuver. “He was so daring, a kid really, in the late ’60s and early ’70s, and in a band many people might think was one of the most pioneering progressive rock groups in the world,” says Mike Portnoy (Neal Morse Band, Sons of Apollo, Dream Theater co-founder). “The fact that even this was not enough for him I think says so much about his character and need to explore.”
Collaborating and at times rhythmically colliding with Crimson’s avant-garde percussionist Jamie Muir, Bruford nudged and bolstered the structure of the very musical apparatus that sustained him—underscoring the fluidity of progressive rock. Bruford’s post-Crimson years of the mid-1970s were spent as both a master musician set adrift in an increasingly corporatized and commercial music industry, and as a free agent seeking to improve his individual listening skills, sharpen his technical acuity, nurture his budding compositional instincts, and discover, if not stumble upon, the all-too-often elusive moment of invention—the sound of surprise.
Articles in December 2020
Cajon You Dig It?
The owner of this month’s KOTM took the now-ubiquitous percussion instrument to its next logical step. The kit that Luke Ross uses with his all-acoustic band Company of Crows is composed entirely of cajons built by the Croaker Percussion company,…
Gretsch, Latin Percussion, Steinberg, Peavey and more
Gretsch Brooklyn Series Drumkits Two new Nitron finishes have been added to the Brooklyn series: Blue Burst Pearl and White Marine Pearl. Constructed from 6-ply North American maple and poplar, Brooklyn series drums are finished with 3 mm double-flanged 302…
In the Studio with Drummer/Producer Evan Hutchings
Evan Hutchings made the move from Fort Smith, Arkansas, to Nashville in 2006, enrolling at Middle Tennessee State with a plan to be a studio musician. “I wanted to be Steve Jordan,” he says. “That was the goal.” Like many…
Get on the Good Foot!
Hi-Hat Comping Riffs in 3/4 Welcome to the second part of this three-part series on hi-hat comping. In this lesson we’ll explore repetitive hi-hat motifs in 3/4. The phrases included here are intended to help develop dynamic balance between the…
Vic Firth Re-Mix Brushes
A quartet of interchangeable implements for varying degrees of attack, tone, and volume. Vic Firth recently expanded its catalog with four pairs of uniquely designed Re-Mix brushes/rods made from different types of organic material, ranging from soft and subtle broomcorn…
Bennie Rodgers II
The Oakland, California, native has been applying his vast skills to a style that originated halfway across the globe—and like K-pop itself, he’s been winning over fans from sea to shining sea and beyond. Bennie Rodgers II is a veteran…
Childish Gambino’s Dani Markham
With hard-core academic training in her back pocket, the drummer/percussionist has dipped her toes in every imaginable musical scenario—and, crucially, trusted her instincts. Dani Markham lives in perpetual motion. The New York City–based, Louisville, Kentucky–born percussionist/mallet player spent the last…
The Classic Recordings of Ginger Baker, Part 3: The Solo Albums
Following a prolific period when Ginger Baker made his name with Cream, Blind Faith, and Ginger Baker’s Air Force, and collaborated with Fela Kuti, the mid ’70s found the drummer setting up a recording studio in Africa, playing polo, trying…
Stick Technique Revisited
Part 6: Perfect Practice and Building Speed Many drum instructors say, “Play naturally.” The problem with that statement is that we naturally hold on to things tightly. Have you ever seen someone pick up a drumstick for the first time…
What Now?
The Four E’s As I write this, we are smack dab in the middle of the COVID crisis. This pandemic has affected us all now for many months. I mention this because it’s had a massive impact on musicians working…
Dana Hawkins
Drawing on the hectic atmospheres and hyperspeed rhythms of drum ’n’ bass music, the drummer, whose credits include Meshell Ndegeocello, Jeremy Pelt, and Lizzo, is revitalizing jazz with his prickly, seemingly time-altering drumming. The future of drumming, the future of…
Download December 2020 Issue
The Modern Drummer November 2020 Issue – Volume 44 • Number 12, comes in two versions the print version and the extended digital version that includes bonus articles and was used to create our new flipbook. The flipbook experience is…
Jonas Brothers’ Jack Lawless
New Jersey native Jack Lawless started out as the drummer of Joe Jonas’s chart-topping alternative-pop group DNCE. When the Jonas Brothers got back together, Lawless got the call for that tour as well. We were able catch up with him…
Khari Parker (1974–2020)
Drummer Khari Parker passed away on June 27. He was forty-six. Widely respected for his diverse musical skills and top-flight professionalism, Parker was a first-call player for many of the top bandleaders and producers in Chicago and throughout the country.…
Nigel Olsson’s ’70s/’80s-Era Slingerland Drumkit
While the legendary Elton John drummer has been a DW drums endorser for years—the company famously built him a custom kit for the pop star’s 2012 Million Dollar Piano Las Vegas residency that displays the badge of the Royal Air…
Marla Leigh
Having “good time” can mean many things to a musician. For this veteran frame drummer, waiting for the right moment to execute a plan, even if that means years, can turn out to be the best decision. For twenty years,…
Remembering Neil Peart
Part 4: “YYZ” This transcription is from the Buddy Rich Memorial Concert where Neil Peart played a big band version of the legendary Rush instrumental track “YYZ.” The introduction was conducted and written in 5/4. The main melody is in…
Critique
RECORDINGS Louisiana’s LeRoux One of Those Days The latest from this funky southern-rock institution shows the group still has get-up-and-go. LeRoux, sometimes known as Lousiana’s LeRoux, enjoyed some major-label success with their 1978 Capitol debut and have remained regionally active.…
Wood or Nylon Tip?
Nylon! Lasts much longer than wood (so you save cash!), and you never have to worry about a chipped stick tip on a ride cymbal. I also play darker cymbals, so the nylon tips add some extra clarity rather than…
