In the last installment of this series, we explored the concept of “filling the spaces” in 6/8—how understanding rhythm as spatial awareness can give your vocabulary new dimension and depth. This time, we’re venturing into slightly more angular territory with 5/8. Understanding the Pulse:  At first glance, 5/8 can feel awkward. It’s not symmetrical, and it doesn’t have the built-in flow of 6/8 or the even predictability of 4/4. But that asymmetry is exactly what makes 5/8 a compelling meter for rhythmic invention and creativity. 5/8 is typically broken down into note groupings of 3 + 2 or 2 + 3. Each grouping has its own musical feel:3 + 2: ((1, 2, 3 + 1, 2)2 + 3: (1, 2 + 1, 2, 3) Occasionally, you’ll hear musicians subdivide it as 2 + 2 + 1, 1 + 4 or even approach it in a phrasing-free “floating” way in one […]

July 2025 Issue