Further Exploring the Classic Concept in Odd Groupings Last month we explored a vast array of linear quintuplet patterns. The most fun thing about linear concepts is that almost any pattern you play can be modified in multiple ways. For instance, grooves can become syncopated fills with as little effort as swapping your hi-hats for a floor tom. There’s an entire world of expression hidden within every linear phrase when you explore embellishments, dynamics, and orchestrations. In this article we’ll dive down the septuplet rabbit hole. A great way to explore any subdivision is by simply filling it with singles. The first example is a linear beat based on single strokes. In the first half of the beat, your left hand leads with ghost notes; on beat 3 this reverses to start with your right hand on a cymbal stack or the hi-hats. Flipping the single-stroke sticking yields an exciting […]

October 2019 Issue