There are certain drummers whose sound is so distinct; you only need to hear a few bars to know exactly who it is. Stewart Copeland is one of those players. His snare tone, phrasing, and high-energy feel are instantly recognizable— and impossible to fake. This month’s transcription digs into “Reggatta de Blanc,” a track that showcases Copeland’s unique ability to blend reggae influences with punk intensity. Recorded between February and August of 1979 and released in October of that year, the track is a great example in how to effortlessly build a groove while maintaining high energy. Stewart delays emphasizing beat one until just before the chorus, creating an off-kilter tension that drives the song forward without ever feeling unsettled. His use of ghost notes, rimshots, and tight hi-hat control show off some of his signature hand technique, and the space he leaves is just as important as the notes he plays. […]

September 2025 Issue