Modern Drummer Magazine

In 2007, at the Sounds of the Underground festival in Phoenix, Arizona, where Shadows Fall was on the bill, Jason Bittner heard that Kelly Smith, drummer for the thrash veterans Flotsam and Jetsam, was in attendance. Bittner first met Smith back in 1988, shortly before leaving home to study at Berklee.

Since kicking down the door to the metal world with his jaw-dropping YouTube play-along videos more than six years ago, twenty-four-year-old journeyman Alex Rüdinger has filled in on tours with Monuments and Revocation and recorded and toured with his still-breathing side project Conquering Dystopia.

I was first convinced of Sarah Tomek’s eminent skills on a night when our bands were both on the bill at Asbury Lanes, a bowling alley turned rock club in Tomek’s hometown. Yup, the same one immortalized in the title of Bruce Springsteen’s famous debut album.

Imagine an organic synthesis of Elvin Jones, Art Blakey, and Milford Graves poured through a thoughtful post-hardcore player, and you have Norway’s Paal Nilssen-Love. A busy musician who divides his performances between solo concerts and support roles, Nilssen-Love brings the muscle of Mastodon’s Brann Dailor and the hardcore throttle of Shellac’s Todd Trainer to free-jazz environments.

When most of his peers were flying by the seat of their collective pants, Victor DeLorenzo was standing up to be counted with the legendary Milwaukee-based art-punk folk-rock trio Violent Femmes.

The progressive British trio Poly-Math rocks. Hard. And all without vocals, because the music is already so full. Consisting of guitarist Tim Walters, bassist Joe Branton, and drummer Chris Woollison, Poly-Math has recently released a three-song mini album, Melencolia, its latest slice of angular riffage and aggressive beats.