The fact that show drummers receive comparatively little recognition is an enigma to me considering that they are some of the hardest working musicians. Their ability to play a variety of styles must be masterful; their sense of theatrics and dynamics must be total. Cubby O’Brien is one such accomplished musician. Listening to a sampling of his work is indeed impressive, for he covers the span from a huge 1940s production with Juliet Prowse to the more sedate music of Andy Williams. Working a show from the ground up often entails rigorous rehearsals with the star, the choreographer, a rehearsal pianist and dancers. Working with a choreographer is an art in itself, and one in which Cubby specializes. “Working with dancers is a totally different thing from working with musicians. Choreographers don’t count things in fours. A choreographer who thinks of a movement to get from A to B which […]

December 1983 Issue