strictly technique
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The Spivack/Wilson Approach to Technique Part 3: Continuity and Chronological Order
In this article we’ll demonstrate how strokes can be learned sequentially, in what Spivack called continuity (a continuous or connected whole) and what Wilson referred to as chronological order (from earliest to latest). TO READ THE FULL STORY: SUBSCRIBE TO…
A Look at Hybrid Rudiments
The Hairta and Its Application on the Drumset Hybrid rudiments are permutations, mixtures, or combinations of the classic forty rudiments established by the Percussive Arts Society. In this article we’ll take a look at how one of the more widely…
Consecutive Flams Part 1: Spaced Out
This month we’re going to kick off a challenging three-part series on flams. All of these exercises will consist of single flams followed by sets of two, three, and four flams. Then we’ll reverse the order to end up back…
Duple/Triple Single-Diddle Gear Shifters Part 2
16th Notes and Sextuplets This month we’re going to isolate timing and sticking gear shifts between 16th notes and sextuplets (aka 16th-note triplets). These exercises are great for improving your hand technique as well as your timing. Using singles and…
Duple/Triple Single-Diddle Gear Shifters Part 1: 8th-Note Triplets and 16ths
In part one of this two-part series, we’re going to isolate our timing and sticking “gear shifts” between 8th-note triplets (twelve notes per measure) and 16th notes (sixteen notes per measure). Not only will these exercises be great for your…
The Paradiddle Pyramid
A Quick and Effective Warm-Up Routine for the Hands and Feet The following exercise routine is great for drummers who have limited practice time. It also makes for a killer warm-up before gigs, sessions, or rehearsals. The routine is…
Upbeat Triplets Breaking Free From the Downbeat
This month we’re going to look at quarter- and 8th-note-triplet rhythms that are offset to the upbeats. When we talk about upbeats, we’re usually referring to the “&” counts between the quarter notes in a straight 8th or swung context.…
Rhythm and Timing Part 5: Single 8th-Note-Triplet Partials and Bonus Exercises
In this final segment we’re going to focus on the three different parts of 8th-note triplets (“one-trip-let”). Playing on the downbeats is pretty simple, and the third partial isn’t too strange, since we hear it all the time in swing…
Rhythm And Timing Part 4: 8th-Note Triplets
This month we’re going to make the switch to 8th-notetriplet rhythms. Within the sets of three notes, we’re first going to get into the three available two-note groupings. I’ve found that the best way to count triplets is “one-trip-let, two-trip-let,…
Rhythm And Timing Part 3: Single 16ths
This month we’re going to focus on the four different single 16th notes, which are “1,” “e,” “&,” and “a.” Playing just one note may seem simple, but it can be quite a challenge to isolate “e” and “a” and…
Rhythm And Timing Part 2: Two-Note 16th Groupings
This month we’re going to focus on the six different two-note 16th-note groupings. We’ll begin with “1-e,” and then we’ll move it to “e-&,” then “&-a,” and finally “1-a.” After those first four variations, we’ll do a separate exercise for…
Rhythm And Timing, Part 1
Part 1: Three-Note 16th Groupings In this five-part series we’re going to develop not only timing and rhythmic accuracy with triplets and 16th notes, but also accent/tap control using the four basic strokes (full, down, tap, and up). To some,…
Shifting Gears
3 Paradiddle Exercises for Strengthening Subdivisions Practice the following subdivision pyramid exercises using a metronome to be sure your timing is accurate and consistent. You may need to work on each line individually before trying the entire thing. Tap your…
Balanced Hands
Two Exercises to Eliminate One-Hand Dominance This article consists of exercises designed to develop strength and endurance in both hands. The first one begins with a balance of four right-hand and four left-hand strokes. As you repeat, the balance is…
