July 2017 Issue – Volume 41 • Number 7
On 01st Jul 2017
Articles in July 2017
Triplet Fills - Swinging Your Phrases
https://vimeo.com/218509663 Younger drummers sometimes struggle with triplet phrases, as there are few styles of popular music today that employ triplets as a basis for the feel. However, we have to be ready for these musical situations when they arise. Older…
Remo - Classic Fit and P3 Felt Tone Drumheads
No more struggling to fit skins on oversized vintage snare and tom shells or wrestling with testy felt strips to achieve a classic fluffy/punchy kick tone.
Playing Melodically - Part 2: Freddie Hubbard’s Solo on “Make It Good”
https://vimeo.com/214234350 Last month we took a jazz melody, Charlie Parker’s “Billie’s Bounce,” and implied its melodic rhythm on the snare. This month we’ll phrase trumpet great Freddie Hubbard’s solo on “Make It Good” from the 1967 Duke Pearson album The…
1967, the Summer of Love
Happy summer, everyone! Putting together this special issue has been a lot of work, but just as much fun. I was ten years old in 1967. Rolling Stone magazine debuted that year, and I’d just gotten my first “real” drumkit.…
1967 Rock Drumming
The seeds were sown in 1966. While jazz had dom-inated the attention of progressive music fans the previous decade, rock ’n’ roll was now the place where the real avant-garde activity was going down. The Beatles’ Revolver, the Beach Boys’…
Greg Saunier, Anton Hochheim, Christian Paschall, Shannon Forrest and more!
Out Now Greg Saunier on Big Walnuts Yonder’s Big Walnuts Yonder On its self-titled debut, released this past May 5, the indie-rock collective Big Walnuts Yonder fuses wild time shifts, explosive punk tones, and unhinged improvisation on ten electrified, cohesive…
Favorite 1960s Drum Tracks?
As we were taking a look back at some of the most iconic drummers and performances of 1967 for this month’s cover feature, we wanted to find out which tracks our readers and social media followers felt marked the greatest…
Building Confidence - The Right Kind, the Right Way
I recently performed a gig with the great comedian Bob Newhart where I was sight-reading big band charts with him and his opening act. I’ve done shows with Bob many times over the years. They don’t have a ton of…
Steve Smith, Peter Erskine, and Gerry Gibbs take the reins, Def Leppard Live CD/DVD, and more
RECORDINGS Taking the Reins Gerry Gibbs & Thrasher People Weather or Not Whatever the musical source, this drummer unfailingly makes it his own. On his previous disc, Live in Studio, drummer/composer Gerry Gibbs transformed a selection of “elevator music” warhorses…
The Drum Thing
“The most exciting thing,” photographer Deirdre O’Callaghan says, “is to be around passionate people with a drive to master an instrument. It’s truly magical.” That drive and passion come across crystal-clear in the images and words of the ninety-six drummers…
Yamaha - DTX760K Electronic Drumset
Expanded sounds, more customization, and a responsive, natural feel.
1938-41 Slingerland Hollywood Boulevard Outfit
Most of today’s drumkits include at least one rack tom, a floor tom, a hi-hat, and a ride cymbal. But back in 1938, renowned American drum manufacturer Slingerland’s most popular setup, the Hollywood Boulevard Outfit, came only with a bass…
UFIP - Class and Vibra Series Cymbals
Centrifuge-cast for the purest B20-bronze tone possible.
Swinging London
THE ZOMBIES and THE MOODY BLUES might have originated in St. Albans and Birmingham, respectively, but few groups more fully captured the urbane and artsy edge of the British Invasion’s London HQ—even if one band was on its way up and the other on its way out.
Sounds and Setups
1967 was a year when wild was in. And of the rock bands commanding the world’s attention that year, it didn’t get much wilder than the Who, Cream, and the Jimi Hendrix Experience. The same could be said for the drummers who made them go—and the kits on which they did it.
1,000 Ways to Practice a Single Page - Part 5: Challenging Rudimental Approaches
https://vimeo.com/219135230 The longer I play the drums, the more I appreciate and value the time I can spend on only a snare or pad. Let’s dive into a few concepts to improve our overall technique. Here’s the rhythm we’ll be…
