July 2017 Issue – Volume 41 • Number 7
Articles in July 2017
A New Perspective - Displacing Three-Over-Four Polyrhythms
https://vimeo.com/219138001 A three-over-four polyrhythm is comprised of sets of three equally spaced notes and four equally spaced notes that occupy the same timeframe. Typically both sides of the polyrhythm start together on the same note and utilize the same subdivision.…
Pride and Joy
This gorgeously kept example of 1970s drum history comes to us from Orange County, California, drummer Thomas Smith, who originally purchased the Rogers Block-finish setup as a nine-piece kit. “I was very busy in cover bands, traveling throughout California,” Smith…
The Drum Thing
“The most exciting thing,” photographer Deirdre O’Callaghan says, “is to be around passionate people with a drive to master an instrument. It’s truly magical.” That drive and passion come across crystal-clear in the images and words of the ninety-six drummers…
1,000 Ways to Practice a Single Page - Part 5: Challenging Rudimental Approaches
https://vimeo.com/219135230 The longer I play the drums, the more I appreciate and value the time I can spend on only a snare or pad. Let’s dive into a few concepts to improve our overall technique. Here’s the rhythm we’ll be…
UFIP - Class and Vibra Series Cymbals
Centrifuge-cast for the purest B20-bronze tone possible.
Triplet Fills - Swinging Your Phrases
https://vimeo.com/218509663 Younger drummers sometimes struggle with triplet phrases, as there are few styles of popular music today that employ triplets as a basis for the feel. However, we have to be ready for these musical situations when they arise. Older…
Playing Melodically - Part 2: Freddie Hubbard’s Solo on “Make It Good”
https://vimeo.com/214234350 Last month we took a jazz melody, Charlie Parker’s “Billie’s Bounce,” and implied its melodic rhythm on the snare. This month we’ll phrase trumpet great Freddie Hubbard’s solo on “Make It Good” from the 1967 Duke Pearson album The…
Sounds and Setups
1967 was a year when wild was in. And of the rock bands commanding the world’s attention that year, it didn’t get much wilder than the Who, Cream, and the Jimi Hendrix Experience. The same could be said for the drummers who made them go—and the kits on which they did it.
Swing Interpretations - Modern Groove Applications
There’s an interesting relationship between two-note (binary) and three-note (ternary) subdivisions that can help you develop better vocabulary and feel on the drumset. To understand this relationship, play an 8th-note triplet with your right hand while playing a straight 8th-note…
Deep Purple’s Ian Paice
On More…or Less? You do the job that is necessary for the track in front of you. The more years I have under my belt playing, the more I realize that less is more. If you don’t need to play…
Steve Smith, Peter Erskine, and Gerry Gibbs take the reins, Def Leppard Live CD/DVD, and more
RECORDINGS Taking the Reins Gerry Gibbs & Thrasher People Weather or Not Whatever the musical source, this drummer unfailingly makes it his own. On his previous disc, Live in Studio, drummer/composer Gerry Gibbs transformed a selection of “elevator music” warhorses…
Vanilla Fudge’s Carmine Appice
If any drummer in the history of classic rock can say he’s seen it all, it’s him. From defining the role of star journeyman player in the ’70s, penning a classic method book, and pioneering the rock-drumming clinic to setting the bar for rock-star excess that’s still referenced today, the drummer known to many simply as “Carmine” has made a career out of standing out from the crowd. It all started fifty years ago, when he powered an explosive young group that grabbed TV audiences by the throat and promptly skyrocketed up the charts….
1938-41 Slingerland Hollywood Boulevard Outfit
Most of today’s drumkits include at least one rack tom, a floor tom, a hi-hat, and a ride cymbal. But back in 1938, renowned American drum manufacturer Slingerland’s most popular setup, the Hollywood Boulevard Outfit, came only with a bass…
Favorite 1960s Drum Tracks?
As we were taking a look back at some of the most iconic drummers and performances of 1967 for this month’s cover feature, we wanted to find out which tracks our readers and social media followers felt marked the greatest…
Swinging London
THE ZOMBIES and THE MOODY BLUES might have originated in St. Albans and Birmingham, respectively, but few groups more fully captured the urbane and artsy edge of the British Invasion’s London HQ—even if one band was on its way up and the other on its way out.