July 2017 Issue – Volume 41 • Number 7
Articles in July 2017
Deep Purple’s Ian Paice
On More…or Less? You do the job that is necessary for the track in front of you. The more years I have under my belt playing, the more I realize that less is more. If you don’t need to play…
Yamaha - DTX760K Electronic Drumset
Expanded sounds, more customization, and a responsive, natural feel.
1938-41 Slingerland Hollywood Boulevard Outfit
Most of today’s drumkits include at least one rack tom, a floor tom, a hi-hat, and a ride cymbal. But back in 1938, renowned American drum manufacturer Slingerland’s most popular setup, the Hollywood Boulevard Outfit, came only with a bass…
RTOM - Black Hole Practice System
Snap-on mesh heads that convert an acoustic kit to a low-volume rehearsal set in seconds.
Building Confidence - The Right Kind, the Right Way
I recently performed a gig with the great comedian Bob Newhart where I was sight-reading big band charts with him and his opening act. I’ve done shows with Bob many times over the years. They don’t have a ton of…
A New Perspective - Displacing Three-Over-Four Polyrhythms
https://vimeo.com/219138001 A three-over-four polyrhythm is comprised of sets of three equally spaced notes and four equally spaced notes that occupy the same timeframe. Typically both sides of the polyrhythm start together on the same note and utilize the same subdivision.…
1967 Rock Drumming
The seeds were sown in 1966. While jazz had dom-inated the attention of progressive music fans the previous decade, rock ’n’ roll was now the place where the real avant-garde activity was going down. The Beatles’ Revolver, the Beach Boys’…
1,000 Ways to Practice a Single Page - Part 5: Challenging Rudimental Approaches
https://vimeo.com/219135230 The longer I play the drums, the more I appreciate and value the time I can spend on only a snare or pad. Let’s dive into a few concepts to improve our overall technique. Here’s the rhythm we’ll be…
Sounds and Setups
1967 was a year when wild was in. And of the rock bands commanding the world’s attention that year, it didn’t get much wilder than the Who, Cream, and the Jimi Hendrix Experience. The same could be said for the drummers who made them go—and the kits on which they did it.
Remo - Classic Fit and P3 Felt Tone Drumheads
No more struggling to fit skins on oversized vintage snare and tom shells or wrestling with testy felt strips to achieve a classic fluffy/punchy kick tone.
The Drum Thing
“The most exciting thing,” photographer Deirdre O’Callaghan says, “is to be around passionate people with a drive to master an instrument. It’s truly magical.” That drive and passion come across crystal-clear in the images and words of the ninety-six drummers…
Yuval Lion
Enjoying a long run at New York’s Public Theater, the rock opera Joan of Arc: Into the Fire features a striking young actress/vocalist adorned in chain mail, sixteen male dancer/singers, and a rock band that pumps out David Byrne’s original…
Greg Saunier, Anton Hochheim, Christian Paschall, Shannon Forrest and more!
Out Now Greg Saunier on Big Walnuts Yonder’s Big Walnuts Yonder On its self-titled debut, released this past May 5, the indie-rock collective Big Walnuts Yonder fuses wild time shifts, explosive punk tones, and unhinged improvisation on ten electrified, cohesive…
1967, the Summer of Love
Happy summer, everyone! Putting together this special issue has been a lot of work, but just as much fun. I was ten years old in 1967. Rolling Stone magazine debuted that year, and I’d just gotten my first “real” drumkit.…
Playing Melodically - Part 2: Freddie Hubbard’s Solo on “Make It Good”
https://vimeo.com/214234350 Last month we took a jazz melody, Charlie Parker’s “Billie’s Bounce,” and implied its melodic rhythm on the snare. This month we’ll phrase trumpet great Freddie Hubbard’s solo on “Make It Good” from the 1967 Duke Pearson album The…
Awolnation’s Isaac Carpenter
“When we were rehearsing for the latest album,” says modern pop group Awolnation’s drummer, Isaac Carpenter, “Masters of Maple owner Sahir Hanif brought his bell brass snare, and it seemed like our band sounded twenty-five-percent better. You can hit it…