In this article, we’re going to look at a very simple three-note sticking pattern (LLR) and apply it on the drumkit in a way that you may not have thought of before—with the double strokes voiced between the hi-hat and snare. It’ll take a bit of time to get the orchestration under control, but it will be worth the effort. I’ve found that, when used judiciously, this concept can be a great way to add a little spicy sauce to your grooves. I’ve placed brackets around the three-note stickings in order to make it easier for you to recognize the pattern. Start off slowly, and repeat the stickings until the motion of your hands feels natural and relaxed. Take your time, and enjoy the sounds of these funky ideas. To begin, here’s the basic sticking phrased as triplets. Here’s the same idea, but phrased as 16th notes, with the right […]

August 2012 Issue