An Editor’s Overview
Words Count
As drummers we’ve long battled identity issues that never seem to go away, no matter how far we advance our art. For years the famed drummer Bill Bruford has pointed out a certain “pitched-instrument bias” on the part of the public, other instrumentalists, and even ourselves. Among the topics in his latest book, Uncharted: Creativity and the Expert Drummer, Bruford explores the phenomenon of drummers being disrespected “despite the fact,” as he recently told me, “we all know a band is only as good as its drummer, etc.
Katy Perry’s Tony Royster Jr.
He grabbed headlines as one of the most talked-about drumming prodigies in the history of the instrument, playing alongside musical icons three times his age and establishing a reputation for blistering clinic appearances. In his first MD interview in years, the drummer, who’s currently on an international tour with superstar Katy Perry, opens up about finding his unique place on the musical landscape, well outside of the box that some of his early chops-obsessed fans would prefer he stay in.
Tim Alexander of Primus
We chat about some big topics in the life of Primus drummer, Tim Alexander.
Crucial Jazz Drumming Recordings, Part 2
Last October we presented fifty albums that show how incredibly far jazz drumming has come since it first appeared on record a century ago. This month we bring you twenty-five more titles as we work toward a clean hundred. The first installment of this series included a healthy dose of classic acoustic recordings from the […]
Grizzly Bear's Chris Bear
Amid the relentlessly creative song-oriented drumming on Grizzly Bear’s 2017 album, Painted Ruins, the track “Aquarian” stands out as particularly percolating. It’s got the flowing, forward-motion feel of paradiddle-based phrases dancing by in spiraling patterns that might bring to mind a slower, more organic version of drum ’n’ bass. I imagined Chris Bear sitting at his kit and figuring things out precisely, finding exactly where, and where not, to place the little rhythmic curlicues that animate the beat. I sure was wrong about that.
Lia Braswell of A Place to Bury Strangers
From an early age the drummer has put her passions and pain into her music, allowing circumstances both within and outside of her control to feed her hungry heart. Like most successful artists, Braswell doesn’t ignore the messy storylines of life or hide from her own sensitivities. She lays them right out on the table, pushes to form deep musical and personal alliances, and leans forward into the unknown with the goal of creating something new and exciting.
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