July 2017 Issue – Volume 41 • Number 7
On 01st Jul 2017
Articles in July 2017
Greg Saunier, Anton Hochheim, Christian Paschall, Shannon Forrest and more!
Out Now Greg Saunier on Big Walnuts Yonder’s Big Walnuts Yonder On its self-titled debut, released this past May 5, the indie-rock collective Big Walnuts Yonder fuses wild time shifts, explosive punk tones, and unhinged improvisation on ten electrified, cohesive…
Favorite 1960s Drum Tracks?
As we were taking a look back at some of the most iconic drummers and performances of 1967 for this month’s cover feature, we wanted to find out which tracks our readers and social media followers felt marked the greatest…
Swinging London
THE ZOMBIES and THE MOODY BLUES might have originated in St. Albans and Birmingham, respectively, but few groups more fully captured the urbane and artsy edge of the British Invasion’s London HQ—even if one band was on its way up and the other on its way out.
Awolnation’s Isaac Carpenter
“When we were rehearsing for the latest album,” says modern pop group Awolnation’s drummer, Isaac Carpenter, “Masters of Maple owner Sahir Hanif brought his bell brass snare, and it seemed like our band sounded twenty-five-percent better. You can hit it…
Yamaha - DTX760K Electronic Drumset
Expanded sounds, more customization, and a responsive, natural feel.
1967, the Summer of Love
Happy summer, everyone! Putting together this special issue has been a lot of work, but just as much fun. I was ten years old in 1967. Rolling Stone magazine debuted that year, and I’d just gotten my first “real” drumkit.…
Sounds and Setups
1967 was a year when wild was in. And of the rock bands commanding the world’s attention that year, it didn’t get much wilder than the Who, Cream, and the Jimi Hendrix Experience. The same could be said for the drummers who made them go—and the kits on which they did it.
Spaun 20th Anniversary Kit, PDP Daru Jones New Yorker Kit, TRX Cymbals and More!
TRX Special Edition AX Cymbals The new Special Edition AX cymbals feature a bright, powerful sound that is recommended for contemporary rock, pop, Latin, and R&B. Made from handcrafted, hand-hammered B20 bronze, the brighter tone of the new AX models…
UFIP - Class and Vibra Series Cymbals
Centrifuge-cast for the purest B20-bronze tone possible.
Swing Interpretations - Modern Groove Applications
There’s an interesting relationship between two-note (binary) and three-note (ternary) subdivisions that can help you develop better vocabulary and feel on the drumset. To understand this relationship, play an 8th-note triplet with your right hand while playing a straight 8th-note…
Steve Smith, Peter Erskine, and Gerry Gibbs take the reins, Def Leppard Live CD/DVD, and more
RECORDINGS Taking the Reins Gerry Gibbs & Thrasher People Weather or Not Whatever the musical source, this drummer unfailingly makes it his own. On his previous disc, Live in Studio, drummer/composer Gerry Gibbs transformed a selection of “elevator music” warhorses…
Pride and Joy
This gorgeously kept example of 1970s drum history comes to us from Orange County, California, drummer Thomas Smith, who originally purchased the Rogers Block-finish setup as a nine-piece kit. “I was very busy in cover bands, traveling throughout California,” Smith…
Triplet Fills - Swinging Your Phrases
https://vimeo.com/218509663 Younger drummers sometimes struggle with triplet phrases, as there are few styles of popular music today that employ triplets as a basis for the feel. However, we have to be ready for these musical situations when they arise. Older…
A New Perspective - Displacing Three-Over-Four Polyrhythms
https://vimeo.com/219138001 A three-over-four polyrhythm is comprised of sets of three equally spaced notes and four equally spaced notes that occupy the same timeframe. Typically both sides of the polyrhythm start together on the same note and utilize the same subdivision.…
1,000 Ways to Practice a Single Page - Part 5: Challenging Rudimental Approaches
https://vimeo.com/219135230 The longer I play the drums, the more I appreciate and value the time I can spend on only a snare or pad. Let’s dive into a few concepts to improve our overall technique. Here’s the rhythm we’ll be…
Playing Melodically - Part 2: Freddie Hubbard’s Solo on “Make It Good”
https://vimeo.com/214234350 Last month we took a jazz melody, Charlie Parker’s “Billie’s Bounce,” and implied its melodic rhythm on the snare. This month we’ll phrase trumpet great Freddie Hubbard’s solo on “Make It Good” from the 1967 Duke Pearson album The…
