July 2017 Issue – Volume 41 • Number 7
On 01st Jul 2017
Articles in July 2017
Playing Melodically - Part 2: Freddie Hubbard’s Solo on “Make It Good”
https://vimeo.com/214234350 Last month we took a jazz melody, Charlie Parker’s “Billie’s Bounce,” and implied its melodic rhythm on the snare. This month we’ll phrase trumpet great Freddie Hubbard’s solo on “Make It Good” from the 1967 Duke Pearson album The…
Swing Interpretations - Modern Groove Applications
There’s an interesting relationship between two-note (binary) and three-note (ternary) subdivisions that can help you develop better vocabulary and feel on the drumset. To understand this relationship, play an 8th-note triplet with your right hand while playing a straight 8th-note…
Favorite 1960s Drum Tracks?
As we were taking a look back at some of the most iconic drummers and performances of 1967 for this month’s cover feature, we wanted to find out which tracks our readers and social media followers felt marked the greatest…
Awolnation’s Isaac Carpenter
“When we were rehearsing for the latest album,” says modern pop group Awolnation’s drummer, Isaac Carpenter, “Masters of Maple owner Sahir Hanif brought his bell brass snare, and it seemed like our band sounded twenty-five-percent better. You can hit it…
UFIP - Class and Vibra Series Cymbals
Centrifuge-cast for the purest B20-bronze tone possible.
Greg Saunier, Anton Hochheim, Christian Paschall, Shannon Forrest and more!
Out Now Greg Saunier on Big Walnuts Yonder’s Big Walnuts Yonder On its self-titled debut, released this past May 5, the indie-rock collective Big Walnuts Yonder fuses wild time shifts, explosive punk tones, and unhinged improvisation on ten electrified, cohesive…
Yuval Lion
Enjoying a long run at New York’s Public Theater, the rock opera Joan of Arc: Into the Fire features a striking young actress/vocalist adorned in chain mail, sixteen male dancer/singers, and a rock band that pumps out David Byrne’s original…
Swinging London
THE ZOMBIES and THE MOODY BLUES might have originated in St. Albans and Birmingham, respectively, but few groups more fully captured the urbane and artsy edge of the British Invasion’s London HQ—even if one band was on its way up and the other on its way out.
1,000 Ways to Practice a Single Page - Part 5: Challenging Rudimental Approaches
https://vimeo.com/219135230 The longer I play the drums, the more I appreciate and value the time I can spend on only a snare or pad. Let’s dive into a few concepts to improve our overall technique. Here’s the rhythm we’ll be…
Building Confidence - The Right Kind, the Right Way
I recently performed a gig with the great comedian Bob Newhart where I was sight-reading big band charts with him and his opening act. I’ve done shows with Bob many times over the years. They don’t have a ton of…
1967, the Summer of Love
Happy summer, everyone! Putting together this special issue has been a lot of work, but just as much fun. I was ten years old in 1967. Rolling Stone magazine debuted that year, and I’d just gotten my first “real” drumkit.…
Yamaha - DTX760K Electronic Drumset
Expanded sounds, more customization, and a responsive, natural feel.
Pride and Joy
This gorgeously kept example of 1970s drum history comes to us from Orange County, California, drummer Thomas Smith, who originally purchased the Rogers Block-finish setup as a nine-piece kit. “I was very busy in cover bands, traveling throughout California,” Smith…
Sounds and Setups
1967 was a year when wild was in. And of the rock bands commanding the world’s attention that year, it didn’t get much wilder than the Who, Cream, and the Jimi Hendrix Experience. The same could be said for the drummers who made them go—and the kits on which they did it.
Remo - Classic Fit and P3 Felt Tone Drumheads
No more struggling to fit skins on oversized vintage snare and tom shells or wrestling with testy felt strips to achieve a classic fluffy/punchy kick tone.
RTOM - Black Hole Practice System
Snap-on mesh heads that convert an acoustic kit to a low-volume rehearsal set in seconds.
The Drum Thing
“The most exciting thing,” photographer Deirdre O’Callaghan says, “is to be around passionate people with a drive to master an instrument. It’s truly magical.” That drive and passion come across crystal-clear in the images and words of the ninety-six drummers…
