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July 2017 Issue – Volume 41 • Number 7

There's an interesting relationship between two-note (binary) and three-note (ternary) subdivisions that can help you develop better vocabulary and feel on the drumset. To understand this relationship, play an 8th-note triplet with your right hand while playing a straight 8th-note subdivision with your left hand, as demonstrated in Exercise 1. Try switching the hands, or move one of the hand's phrases to the bass drum or hi-hat foot. For example, play the triplet with your left foot while playing straight 8th notes with your right hand.
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Articles in July 2017

Vanilla Fudge’s Carmine Appice

If any drummer in the history of classic rock can say he’s seen it all, it’s him. From defining the role of star journeyman player in the ’70s, penning a classic method book, and pioneering the rock-drumming clinic to setting the bar for rock-star excess that’s still referenced today, the drummer known to many simply as “Carmine” has made a career out of standing out from the crowd. It all started fifty years ago, when he powered an explosive young group that grabbed TV audiences by the throat and promptly skyrocketed up the charts….

by Ken Micallef
May 31, 2017

Yuval Lion

Enjoying a long run at New York’s Public Theater, the rock opera Joan of Arc: Into the Fire features a striking young actress/vocalist adorned in chain mail, sixteen male dancer/singers, and a rock band that pumps out David Byrne’s original…

Story by Ken Micallef | Photos by John Fell
May 31, 2017

Steve Smith, Peter Erskine, and Gerry Gibbs take the reins, Def Leppard Live CD/DVD, and more

RECORDINGS Taking the Reins Gerry Gibbs & Thrasher People Weather or Not Whatever the musical source, this drummer unfailingly makes it his own. On his previous disc, Live in Studio, drummer/composer Gerry Gibbs transformed a selection of “elevator music” warhorses…

Modern Drummer
May 31, 2017

Building Confidence - The Right Kind, the Right Way

I recently performed a gig with the great comedian Bob Newhart where I was sight-reading big band charts with him and his opening act. I’ve done shows with Bob many times over the years. They don’t have a ton of…

Russ Miller
May 31, 2017
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A New Perspective - Displacing Three-Over-Four Polyrhythms

https://vimeo.com/219138001 A three-over-four polyrhythm is comprised of sets of three equally spaced notes and four equally spaced notes that occupy the same timeframe. Typically both sides of the polyrhythm start together on the same note and utilize the same subdivision.…

Aaron Edgar
May 31, 2017

Triplet Fills - Swinging Your Phrases

https://vimeo.com/218509663 Younger drummers sometimes struggle with triplet phrases, as there are few styles of popular music today that employ triplets as a basis for the feel. However, we have to be ready for these musical situations when they arise. Older…

Rich Redmond
May 31, 2017

RTOM - Black Hole Practice System

Snap-on mesh heads that convert an acoustic kit to a low-volume rehearsal set in seconds.

Michael Dawson
May 31, 2017

Sounds and Setups

1967 was a year when wild was in. And of the rock bands commanding the world’s attention that year, it didn’t get much wilder than the Who, Cream, and the Jimi Hendrix Experience. The same could be said for the drummers who made them go—and the kits on which they did it.

by Adam Budofsky
May 31, 2017

1,000 Ways to Practice a Single Page - Part 5: Challenging Rudimental Approaches

https://vimeo.com/219135230 The longer I play the drums, the more I appreciate and value the time I can spend on only a snare or pad. Let’s dive into a few concepts to improve our overall technique. Here’s the rhythm we’ll be…

Libor Hadrava
May 31, 2017

Playing Melodically - Part 2: Freddie Hubbard’s Solo on “Make It Good”

https://vimeo.com/214234350 Last month we took a jazz melody, Charlie Parker’s “Billie’s Bounce,” and implied its melodic rhythm on the snare. This month we’ll phrase trumpet great Freddie Hubbard’s solo on “Make It Good” from the 1967 Duke Pearson album The…

Peter Erskine
May 31, 2017

UFIP - Class and Vibra Series Cymbals

Centrifuge-cast for the purest B20-bronze tone possible.

Michael Dawson
May 31, 2017
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On Ringo Starr

The Shock of the New

by Billy Amendola
May 31, 2017

1967 Rock Drumming

The seeds were sown in 1966. While jazz had dom-inated the attention of progressive music fans the previous decade, rock ’n’ roll was now the place where the real avant-garde activity was going down. The Beatles’ Revolver, the Beach Boys’…

by Adam Budofsky
May 31, 2017

Casey Cooper

Dream big. Work hard. Influence many.

Story and photo by Mike Haid
May 31, 2017

Drum Center of Portsmouth

Portsmouth, New Hampshire

Interview by Patrick Berkery
May 31, 2017

1938-41 Slingerland Hollywood Boulevard Outfit

Most of today’s drumkits include at least one rack tom, a floor tom, a hi-hat, and a ride cymbal. But back in 1938, renowned American drum manufacturer Slingerland’s most popular setup, the Hollywood Boulevard Outfit, came only with a bass…

Harry Cangany
May 31, 2017

1967, the Summer of Love

Happy summer, everyone! Putting together this special issue has been a lot of work, but just as much fun. I was ten years old in 1967. Rolling Stone magazine debuted that year, and I’d just gotten my first “real” drumkit.…

Billy Amendola
May 31, 2017

Pride and Joy

This gorgeously kept example of 1970s drum history comes to us from Orange County, California, drummer Thomas Smith, who originally purchased the Rogers Block-finish setup as a nine-piece kit. “I was very busy in cover bands, traveling throughout California,” Smith…

Modern Drummer
May 31, 2017
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Greg Saunier, Anton Hochheim, Christian Paschall, Shannon Forrest and more!

Out Now Greg Saunier on Big Walnuts Yonder’s Big Walnuts Yonder On its self-titled debut, released this past May 5, the indie-rock collective Big Walnuts Yonder fuses wild time shifts, explosive punk tones, and unhinged improvisation on ten electrified, cohesive…

Modern Drummer
May 31, 2017

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