July 2017 Issue – Volume 41 • Number 7
On 01st Jul 2017
Articles in July 2017
Favorite 1960s Drum Tracks?
As we were taking a look back at some of the most iconic drummers and performances of 1967 for this month’s cover feature, we wanted to find out which tracks our readers and social media followers felt marked the greatest…
A New Perspective - Displacing Three-Over-Four Polyrhythms
https://vimeo.com/219138001 A three-over-four polyrhythm is comprised of sets of three equally spaced notes and four equally spaced notes that occupy the same timeframe. Typically both sides of the polyrhythm start together on the same note and utilize the same subdivision.…
Yuval Lion
Enjoying a long run at New York’s Public Theater, the rock opera Joan of Arc: Into the Fire features a striking young actress/vocalist adorned in chain mail, sixteen male dancer/singers, and a rock band that pumps out David Byrne’s original…
Triplet Fills - Swinging Your Phrases
https://vimeo.com/218509663 Younger drummers sometimes struggle with triplet phrases, as there are few styles of popular music today that employ triplets as a basis for the feel. However, we have to be ready for these musical situations when they arise. Older…
Deep Purple’s Ian Paice
On More…or Less? You do the job that is necessary for the track in front of you. The more years I have under my belt playing, the more I realize that less is more. If you don’t need to play…
RTOM - Black Hole Practice System
Snap-on mesh heads that convert an acoustic kit to a low-volume rehearsal set in seconds.
Remo - Classic Fit and P3 Felt Tone Drumheads
No more struggling to fit skins on oversized vintage snare and tom shells or wrestling with testy felt strips to achieve a classic fluffy/punchy kick tone.
1938-41 Slingerland Hollywood Boulevard Outfit
Most of today’s drumkits include at least one rack tom, a floor tom, a hi-hat, and a ride cymbal. But back in 1938, renowned American drum manufacturer Slingerland’s most popular setup, the Hollywood Boulevard Outfit, came only with a bass…
Awolnation’s Isaac Carpenter
“When we were rehearsing for the latest album,” says modern pop group Awolnation’s drummer, Isaac Carpenter, “Masters of Maple owner Sahir Hanif brought his bell brass snare, and it seemed like our band sounded twenty-five-percent better. You can hit it…
Spaun 20th Anniversary Kit, PDP Daru Jones New Yorker Kit, TRX Cymbals and More!
TRX Special Edition AX Cymbals The new Special Edition AX cymbals feature a bright, powerful sound that is recommended for contemporary rock, pop, Latin, and R&B. Made from handcrafted, hand-hammered B20 bronze, the brighter tone of the new AX models…
UFIP - Class and Vibra Series Cymbals
Centrifuge-cast for the purest B20-bronze tone possible.
1,000 Ways to Practice a Single Page - Part 5: Challenging Rudimental Approaches
https://vimeo.com/219135230 The longer I play the drums, the more I appreciate and value the time I can spend on only a snare or pad. Let’s dive into a few concepts to improve our overall technique. Here’s the rhythm we’ll be…
Swing Interpretations - Modern Groove Applications
There’s an interesting relationship between two-note (binary) and three-note (ternary) subdivisions that can help you develop better vocabulary and feel on the drumset. To understand this relationship, play an 8th-note triplet with your right hand while playing a straight 8th-note…
Swinging London
THE ZOMBIES and THE MOODY BLUES might have originated in St. Albans and Birmingham, respectively, but few groups more fully captured the urbane and artsy edge of the British Invasion’s London HQ—even if one band was on its way up and the other on its way out.
The Drum Thing
“The most exciting thing,” photographer Deirdre O’Callaghan says, “is to be around passionate people with a drive to master an instrument. It’s truly magical.” That drive and passion come across crystal-clear in the images and words of the ninety-six drummers…
Playing Melodically - Part 2: Freddie Hubbard’s Solo on “Make It Good”
https://vimeo.com/214234350 Last month we took a jazz melody, Charlie Parker’s “Billie’s Bounce,” and implied its melodic rhythm on the snare. This month we’ll phrase trumpet great Freddie Hubbard’s solo on “Make It Good” from the 1967 Duke Pearson album The…
