December 2018 Issue – Volume 42 • Number 12
On 01st Dec 2018
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Articles in December 2018
On Relaxation - An In-Depth Study to Develop Consistency
When executing individual stroke types, it’s important that our approach remains consistent no matter what type of stroke is played. It’s very easy for drummers to be more aggressive when playing a downstroke, or rapidly pull away from the drum…
The 2018 Chicago Drum Show
The perennial percussion event once again serves vintage and modern drum lovers alike.
Session Great Nir Z
When it comes to gear, Jerusalem-born/Nashville-based session drummer Nir Zidkyahu, whose ultra-precise, intense pocket can be heard on hit records by pop/rock great John Mayer, alt-rock legend Chris Cornell, and modern country superstar Blake Shelton, isn’t too particular, as long…
Samba Rhythms - Part 1: The Importance of the Tamborim
Hello, and welcome to a new series on Brazilian samba drumming! It’s a great pleasure to be discussing Brazilian rhythms and my approach to this style on the drumset. Generally, I feel that Brazilian rhythms can be divided into three…
What’s Your Favorite Keith Moon Performance?
This month, as we dove into the drumming of both Pete Townshend on the Who’s demo tracks and Keith Moon on the band’s final output, we checked in with our readers and social media followers to see which “Moon the…
Drums: The Secret to Happiness
Last summer my family and I decided to move out of the house we’d been living in for thirteen years, and into a new one. Among other things, the old place didn’t have a basement, and the jazz-size drumkit we…
An Enduring Kit and an Unforgettable Time
This vintage 1963 Ludwig Hollywood set in an Oyster Black Pearl wrap comes to us from drummer Nelson Hawkins, who ordered it after paging through a Ludwig catalog in the early ’60s. The kit came with two 8x12 mounted toms,…
Quicksand’s Alan Cage
Quicksand drummer Alan Cage isn’t overly particular about his gear. “I’m not too attached,” he says. “But I don’t like deep drums, at least on the rack toms. I always play a 16" floor tom, but I don’t mind it…
Clint Schnase on Cursive’s Vitriola
The original drummer for the biting Nebraska indie group rejoins them in the studio for a raucous homecoming.
Pantera's Vinnie Paul, Elvis Presley's D.J. Fontana, Richard Swift
Photo by Paul La Raia Remembering the metal drumming icon, Pantera cofounder, and backbone of Hellyeah and Damageplan. Vinnie Paul, who died this past June 22 at the age of fifty-four, possessed an unmistakable bass drum sound. But you never…
Drumset Ergonomics - Part 6: Positioning Secondary Suspended Instruments
In this final installment of this series, we’re going to address how to position the instruments that we only play five to thirty percent of the time, such as splashes, Chinas, cowbells, electric pads, additional rack toms, and auxiliary crashes.…
Paiste - Masters Extra Thin and Dark Additions
Soft and sophisticated crashes and splashes for supreme expressivity.
Mark Walker
The Berklee professor and well-traveled performer has made a career out of adapting ethnic rhythms to the drumset—and offering valuable advice on how to do that accurately and authentically.
Aaron Sterling’s Sound of Sterloid, Volume II
“I do almost everything at my place now,” says top L.A.-based session drummer Aaron Sterling. In addition to recording about fifteen songs per week for artists and producers around the world, Sterling has created five online master classes that focus on…
