by Steve Fidyk
We continue this month with more of my favorite ways of interpreting the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer. This time we explore ways of converting the written manuscript from its original form to 3/4.
The applications in this lesson can be used with any of the seventy-two repetitive one-measure examples from pages 29, 30, and 33–36, or the thirty-two-measure “melodies” from pages 37–44 (of the original printing).
Next time we’ll explore ways to interpret Syncopation in 5/4.
Steve Fidyk has performed with Terell Stafford, Tim Warfield, Dick Oatts, Doc Severinsen, Wayne Bergeron, Phil Wilson, and Maureen McGovern, and he’s a member of the jazz studies faculty at Temple University in Philadelphia. For more info, visit stevefidyk.com.