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Lessons, Rock 'N' Jazz Clinic

Open-Handed Playing, Part 2: Asymmetrical Accents and the Control Stroke


November 2011

Claus Hessler : Modern Drummer

Rock ‘N’ Jazz Clinic

Open-Handed Playing

Part 2: Asymmetrical Accents and the Control Stroke

by Claus Hessler

One of the biggest advantages to playing open-handed is that you no longer have to deal with the obstructed movement of crossing your hands to play the hi-hat and snare. Part one of my article series on open-handed playing covers basic exercises to help unlock your coordination. Part two discusses ways to add accents on the snare that don’t line up with the hi-hat. I also included different hi-hat variations to explore.

Once you’ve mastered the examples from the article, try the following advanced exercises, which are based on five-note groupings. Enjoy!

Open-Handed Playing, Part 2: Advanced Exercises

Check out the complete article in the November 2011 issue for exercises and additional insight.

 


Posted in Lessons, Rock 'N' Jazz Clinic Tagged Claus, Hessler, Modern Drummer, Modern Drummer Magazine, Open-Handed, Rock & Jazz Clinic, asymmetrical accents, control stroke, drum, drums, education, educational, instructional, interpreting threes, lesson, part 2

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