Syncopation
Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.
VIDEO LESSON! Elvin Jones–Style Triplet Fills, Part 3
The excerpt below is taken from the complete article that appears in the July 2015 issue, which is available here. Jazz Drummer’s Workshop Elvin Jones–Style Triplet Fills Part 3: More Two-Bar Patterns by John Xepoleas Welcome to the third and…
VIDEO LESSON! Elvin Jones–Style Triplet Fills, Part 2: Orchestrating Accent Patterns
This excerpt is taken from the complete review that appears in the June 2015 issue, which can be purchased here. Jazz Drummer’s Workshop Elvin Jones–Style Triplet Fills Part 2: Orchestrating Accent Patterns by John Xepoleas Welcome to our second lesson covering…
VIDEO LESSON! Jazz Drummer’s Workshop: Elvin Jones–Style Triplet Fills, Part 1
This post is an excerpt from the complete article that appears in the May 2015 issue. Jazz Drummer’s Workshop Elvin Jones–Style Triplet Fills Part 1: Creating a Rolling Melodic Feel Using Basic Stickings by John Xepoleas In this lesson I’m going…
VIDEO! Jazz Drummers Workshop: Syncopation Revisited: Part 6: Assorted Applications (from the November 2014 issue)
November 2014 Jazz Drummer’s Workshop Syncopation Revisited Part 6: Assorted Applications by Steve Fidyk Welcome to the final installment of our series on ways to interpret the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer. The…
VIDEO! Jazz Drummer's Workshop: Syncopation Revisited: Part 5: Afro-Cuban Applications (From the October 2014 Issue)
October 2014 Jazz Drummer’s Workshop Syncopation Revisited Part 5: Afro-Cuban Applications by Steve Fidyk Welcome to part five in our continuing series on ways to interpret the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer. This…
VIDEO! Syncopation Revisited, Part 5: Brazilian Applications
September 2014 Jazz Drummer’s Workshop Syncopation Revisited Part 4: Brazilian Applications by Steve Fidyk We continue our series on ways to interpret the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer by applying Brazilian rhythms and…
VIDEO! Jazz Drummer’s Workshop: Syncopation Revisited, Part 3: 5/4 Applications (From the August 2014 Issue)
by Steve Fidyk We continue this month with more ways to interpret Ted Reed’s classic book Progressive Steps to Syncopation for the Modern Drummer. This time we’ll be converting the written manuscript from its original 4/4 form to 5/4 time.…
VIDEO! Jazz Drummer’s Workshop: Syncopation Revisited, Part 2: 3/4 Applications (From the July 2014 Issue)
by Steve Fidyk We continue this month with more of my favorite ways of interpreting the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer. This time we explore ways of converting the written manuscript from its…
VIDEO! Jazz Drummer’s Workshop: Syncopation Revisited, Part 1: Basic Applications (From the June 2014 Issue)
http://youtu.be/lNuUOdR2z5I by Steve Fidyk This month’s Jazz Drummer’s Workshop features some of my favorite applications of the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer. Syncopation has been a staple since it was first published in…
Pinback’s Chris Prescott
As a musician, I’ve had my fair share of strange experiences over the years. But this for me was one of the most surreal. I decided to write about it here and share it with my fellow drummers. Pinback recently…
Jean-Paul Gaster: Web Exclusive: Plenty more with the Clutch powerhouse
(from the November 2010 Issue of Modern Drummer, available here) by Billy Brennan In the January issue of MD, Clutch drummer Jean-Paul Gaster reflects on the band’s reissues of its three DRT Entertainment releases—From Beale Street To Oblivion (2007), Robot…
Loquat's Christopher Lautz
Hey, all you butts of drummer jokes—. My name is Christopher Lautz, and I play drums and sing back-up in San Francisco's Loquat. My band is a mix of electronic and organic sounds, in the trip-hop/dream-pop realm of things. I…
