December 2021 – Volume 45 • Number 12

45 Years of a Vibrant Community

It’s just unbelievable how quickly 45 years can go by. It was 1977, when founder Ron Spagnardi launched what the world would come to know, love, and behold as Modern Drummer magazine. Modern Drummer is much more than a magazine.…

Buddy Rich Elected to Hall of Fame in 1980

Excerpted from the January 1977 issue When it comes to interviewing Buddy, one must learn to expect the unexpected. You can end up with a first rate story, or no story at all. He’s a very intense human being, with…

Remembering Ron Spagnardi

Quotes from the Original Fearless Leader No plan. No staff. Just a grand passion, the personal savings of Ron Spagnardi and his wife Isabel, and the sweat entity of his dad and their daughter. There was little hope that a…

Peter Erskine Excerpted from the January 1983 issue

If Peter Erskine isn’t careful, he’s going to start giving jazz, musicians a good name. I mean, we all know about the reputation jazz players have with the general public, right? The stereotypical jazzer is perceived to be a sullen,…

Keith Moon Elected to Hall of Fame in 1982

Excerpted from the September 2003 issue In his last interview, published posthumously in October 1978, Keith told International Musician and Recording World, “You can’t work out things too much. We do certain build-ups and things, but you can run into…

December 2021 - Volume 45 • Number 12

Martin Chambers

Excerpted from the July 1982 issue The single biggest influence in Martin Chambers’ onstage attitude and playing considerations was Keith Moon. “He was a very good player and a very talented free player, much like Mitch Mitchell. But the thing…

Roger Taylor Excerpted from the March 1985 issue

What prompted you to start playing drums? When I was at school, I used to listen to the radio and records a lot. When I was younger, it was sort of the start of the techno-rock thing. I was brought…

Phil Collins

Excerpted from the March/April 1979 issue Phil Collins’ muscular arms are flowing as his hands snap out the illusive 6/8 beat. The music swells around and through him while his piercing eyes look inward, directing his movements. Collins is an…

Stewart Copeland

Excerpted from the October 1982 issue How did the Police come about? I was on tour with Curved Air. We had a night off and a local journalist took me around to see his favorite local group, which was a…

Toppermost of the Poppermost

Pop-Culture Triumphs, 1977-2021 Modern Drummer has reported on a colossal number of drummers in its 45-year history, but pop-culture doesn’t revolve solely around drums and drumming. (Drats!) Creativity does not exist in a vacuum. Other events tend to inspire, inform,…

John Bonham Elected to Hall of Fame in 1981

Excerpted from the John Bonham tribute issue, July 1984 John Bonham played, for the most part, a very simple drumkit, consisting of a 14x26 bass drum, a 12x15 small tom—at first mounted on a snare stand and later on the…

Art Blakey Excerpted from the September 1984 issue

The first rays of dusk suffuse Art Blakey’s Greenwich Village apartment with shards of amber gray light, and as the shadows dance upon his brow, Blakey’s face takes on a totemic grace. The snow-white hair fades out of the foreground…

Larry Mullen A candid interview with the drummer

Excerpted from the August 1985 issue Let me say first of all that I don’t do interviews, ever. I did them when the band started, and then 1 stopped because I didn’t enjoy them. I’ve seen issues of Modern Drummer.…

By the Numbers MD Covers Reveal Drum-Culture Stats

Forty-five years provides a lot of perspective on the artists, styles, and techniques Modern Drummer has covered, as well as how those subjects informed the drum community from year to year. Any magazine editor will tell you that choosing cover…

Bill Bruford

Excepted from the January/February 1979 issue Bill Bruford has never attained the widespread fame of Carl Palmer or Billy Cobham. But whenever Bruford’s name is mentioned, it is almost invariably prefaced by the term ‘’drummer extraordinaire” or ‘’precise percussionist.” Bruford,…

Max Roach Excerpted from the June 1982 issue

Max Roach is a vital link in the chain of drum history. He was recognized as the man who pioneered a modern drumming style for his work with bebop giants like Charlie Parker and Dizzy Gillespie. In the ‘50s and…

Alan White

Excerpted from the February/March 1980 issue Yes is one of the few bands who combine exploration of musical art forms with the vitality of rock music. Their arrange­ments are impeccable and their playing skills, superb. What’s more, those guys can…

Jon Farriss Excerpted from the October 1988 issue

Innocently and completely unexpectedly, Jon Farriss poses the question, “Are you really sure that drummers want to read about me?” It was a definite “first” within my realm of experience as a music journalist. Yet, as strange as the question…

Gene Krupa Elected to Hall of Fame in 1979

Excerpted from the October/November 1979 issue “I’m happy that I succeeded in doing two things: I made the drummer a high­priced guy, and I was able to draw more people to jazz.” The above quote of drum master Gene Krupa…