December 2018 Issue – Volume 42 • Number 12
On 01st Dec 2018
Articles in December 2018
Drums: The Secret to Happiness
Last summer my family and I decided to move out of the house we’d been living in for thirteen years, and into a new one. Among other things, the old place didn’t have a basement, and the jazz-size drumkit we…
An Enduring Kit and an Unforgettable Time
This vintage 1963 Ludwig Hollywood set in an Oyster Black Pearl wrap comes to us from drummer Nelson Hawkins, who ordered it after paging through a Ludwig catalog in the early ’60s. The kit came with two 8x12 mounted toms,…
On Relaxation - An In-Depth Study to Develop Consistency
When executing individual stroke types, it’s important that our approach remains consistent no matter what type of stroke is played. It’s very easy for drummers to be more aggressive when playing a downstroke, or rapidly pull away from the drum…
Mo Drumsticks - Magnetic Beater System
A unique product to help boost your bass drum chops.
Clint Schnase on Cursive’s Vitriola
The original drummer for the biting Nebraska indie group rejoins them in the studio for a raucous homecoming.
Questlove's latest book and more
RECORDINGS Skyharbor Sunshine Dust Indian progressive metal titans release a gripping new album on the heels of successful tours with Babymetal, the Contortionist, and Deftones. Equal parts ethereal atmospherics, thick and chugging grooves, and soaring vocals, Skyharbor offer some of their…
Samba Rhythms - Part 1: The Importance of the Tamborim
Hello, and welcome to a new series on Brazilian samba drumming! It’s a great pleasure to be discussing Brazilian rhythms and my approach to this style on the drumset. Generally, I feel that Brazilian rhythms can be divided into three…
Quicksand’s Alan Cage
Quicksand drummer Alan Cage isn’t overly particular about his gear. “I’m not too attached,” he says. “But I don’t like deep drums, at least on the rack toms. I always play a 16" floor tom, but I don’t mind it…
Keith Moon: An Examination
“In an egotistical way I always prefer my demos to what the Who does.” —Pete Townshend Rolling Stone interview with Jonathan Cott, May 14, 1970
Aaron Sterling’s Sound of Sterloid, Volume II
“I do almost everything at my place now,” says top L.A.-based session drummer Aaron Sterling. In addition to recording about fifteen songs per week for artists and producers around the world, Sterling has created five online master classes that focus on…
The 2018 Chicago Drum Show
The perennial percussion event once again serves vintage and modern drum lovers alike.
Paiste - Masters Extra Thin and Dark Additions
Soft and sophisticated crashes and splashes for supreme expressivity.
New gear from TAMA, Zildjian, and Vic Firth!
Tama Classic Series Bass Drum Pedal With vintage design and modern functionality, the Classic pedal is designed to be light, responsive, and durable. Features include beater height adjustment, topside spring adjustment, a felt beater, an Easy-Tight hoop clamp, and a…
Drumset Ergonomics - Part 6: Positioning Secondary Suspended Instruments
In this final installment of this series, we’re going to address how to position the instruments that we only play five to thirty percent of the time, such as splashes, Chinas, cowbells, electric pads, additional rack toms, and auxiliary crashes.…
What’s Your Favorite Keith Moon Performance?
This month, as we dove into the drumming of both Pete Townshend on the Who’s demo tracks and Keith Moon on the band’s final output, we checked in with our readers and social media followers to see which “Moon the…
