December 2018 Issue – Volume 42 • Number 12
On 01st Dec 2018
Articles in December 2018
Drumset Ergonomics - Part 6: Positioning Secondary Suspended Instruments
In this final installment of this series, we’re going to address how to position the instruments that we only play five to thirty percent of the time, such as splashes, Chinas, cowbells, electric pads, additional rack toms, and auxiliary crashes.…
Samba Rhythms - Part 1: The Importance of the Tamborim
Hello, and welcome to a new series on Brazilian samba drumming! It’s a great pleasure to be discussing Brazilian rhythms and my approach to this style on the drumset. Generally, I feel that Brazilian rhythms can be divided into three…
What’s Your Favorite Keith Moon Performance?
This month, as we dove into the drumming of both Pete Townshend on the Who’s demo tracks and Keith Moon on the band’s final output, we checked in with our readers and social media followers to see which “Moon the…
Mark Walker
The Berklee professor and well-traveled performer has made a career out of adapting ethnic rhythms to the drumset—and offering valuable advice on how to do that accurately and authentically.
Scott Seiver with Tenacious D
Tracing the path that the prolific drummer, composer, and producer paved on his way to playing with the hilarious and hard-rocking act.
Keith Moon: An Examination
“In an egotistical way I always prefer my demos to what the Who does.” —Pete Townshend Rolling Stone interview with Jonathan Cott, May 14, 1970
Quicksand’s Alan Cage
Quicksand drummer Alan Cage isn’t overly particular about his gear. “I’m not too attached,” he says. “But I don’t like deep drums, at least on the rack toms. I always play a 16" floor tom, but I don’t mind it…
On Relaxation - An In-Depth Study to Develop Consistency
When executing individual stroke types, it’s important that our approach remains consistent no matter what type of stroke is played. It’s very easy for drummers to be more aggressive when playing a downstroke, or rapidly pull away from the drum…
Aaron Sterling’s Sound of Sterloid, Volume II
“I do almost everything at my place now,” says top L.A.-based session drummer Aaron Sterling. In addition to recording about fifteen songs per week for artists and producers around the world, Sterling has created five online master classes that focus on…
The Modern Drummer Guide to Reading Rhythms - Part 1
Part 1: Fundamental Elements of Music Notation
Drums: The Secret to Happiness
Last summer my family and I decided to move out of the house we’d been living in for thirteen years, and into a new one. Among other things, the old place didn’t have a basement, and the jazz-size drumkit we…
Paiste - Masters Extra Thin and Dark Additions
Soft and sophisticated crashes and splashes for supreme expressivity.
Mo Drumsticks - Magnetic Beater System
A unique product to help boost your bass drum chops.
Session Great Nir Z
When it comes to gear, Jerusalem-born/Nashville-based session drummer Nir Zidkyahu, whose ultra-precise, intense pocket can be heard on hit records by pop/rock great John Mayer, alt-rock legend Chris Cornell, and modern country superstar Blake Shelton, isn’t too particular, as long…
Clint Schnase on Cursive’s Vitriola
The original drummer for the biting Nebraska indie group rejoins them in the studio for a raucous homecoming.
