drumming

Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.

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Rock Perspectives - Developing Hand/Foot Coordination

For a drummer, one of the most important areas of study and consideration is developing hand and foot coordination. Frequently, I am asked how I develop independence. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN

Modern Drummer
Feb 23, 2017

Complete Percussionist: Interpreting Marches

Is it possible to "kick" a march in much the same way you kick a dance band? As long as we're not talking about dance band rhythms, but are talking about support (supporting the brass and reeds in a march…

Modern Drummer
Feb 23, 2017

South Of The Border: Brazilian Percussion

Brazil has been a rich source of music and rhythm for many years. Virtually every percussionist has a few Brazilian percussion instruments in his "toy" collection. It is important for drummers to he familiar with these fascinating instruments, since by…

Modern Drummer
Feb 23, 2017

Andrew Cyrille: An Aesthetic Endeavor

Andrew Cyrille has always been interested in the interpretive power of drums and percussion, and he has shown various aspects of this in contexts ranging from the Cecil Taylor Unit, to solo percussion albums and concerts. Here, he shares his…

by Harold Howland
Feb 23, 2017

Rock Perspectives: It’s an Open and Shut Case

When playing consecutive sixteenth notes on the H.H., with eighth note and/or sixteenth note "swishes" in the pattern, the tendency upon closing the H.H. (at the end of the swish) with the L.F., is to double that note with the…

Modern Drummer
Feb 23, 2017
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South of the Border: Mambo on the Drum Set

The Mambo, along with its close relative the Son Montuno, makes up a significant share of the music played at Latin dances. It is too bad that the Mambo is not played more often at American dance jobs. It is…

Modern Drummer
Feb 23, 2017

Concepts: Overcoming the “Horribles???

Imagine yourself playing in a club and having a really good time. It's one of those nights when the group is clicking and the audience is really with you. Suddenly, you notice a very famous drummer in the audience, watching…

Modern Drummer
Feb 23, 2017

Portraits: The Oak Ridge Boys’ Fred Satterfield

I've been traveling and playing for money since I was about 14. I'm 25 today. I started out playing in some gospel/rock bands on the West Coast. Much of my fatback, heart and soul comes from that music, and working…

by Scott K. Fish
Feb 23, 2017

Up and Coming: Butch Baron

Butch Baron was raised on Long Island, New York, but has spent the last few years on the West Coast. He has taken the seeming "adversity" of being a drummer with only one leg and turned it into an "opportunity."…

by Scott K. Fish
Feb 23, 2017

Michael Carvin: Spreading The Word

One might nickname Michael Carvin "Man Of 1,000 Albums." He's played drums on many albums, including 100 jazz albums. The artists with whom he's been associated run the gamut of jazz— bebop, traditional, to the avant-garde and soul-tinged. TO READ…

Modern Drummer
Feb 23, 2017

Bob Moses: Beneath the Surface

If I were asked to make a list of the most underrated drummers. Bob Moses would be the first name that would come to my mind. I first met Moses through Charlie Perry at a jazz drumming workshop Perry was…

Modern Drummer
Feb 23, 2017

Barriemore Barlow

Since their 1972 album "Thick As A Brick", Jethro Tull's music has become more and more layered, intricate, and demanding on both players and listeners. Also, since that time, Barriemore Barlow, a 29-year-old Scotsman, has been their percussionist. TO READ…

by Michael Shore
Feb 23, 2017
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Danny Seraphine: The Rhythm of Chicago

"I loved to watch my uncle who was a drummer, when I was young, but he only played weekends because in those days, most of them didn't really devote their lives to it. It was such a long-shot," says Danny…

Modern Drummer
Feb 23, 2017

Rock Perspectives: More Rock Studies

In these examples, you'll notice a distinct difference in the sound of the hi-hat being closed with the foot as opposed to striking it with the stick. These two distinct sounds used with accented and unaccented snare drum/bass drum strokes…

Modern Drummer
Feb 23, 2017
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