Jazz Drummer's Workshop
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Jazz Drummer's Workshop - The Stick Shot
This month we’re spotlighting the stick shot, a technique that’s fairly specific to the jazz lexicon. To obtain this alternate sound, press one drumstick tip against the head at approximately 30 degrees, while striking that stick at the shoulder with…
Jazz Drummer's Workshop - Stick Control Revisited Drumset Applications
This month’s Jazz Drummer’s Workshop features some of my favorite applications of the classic George Lawrence Stone book Stick Control. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
Jazz Drummer's Workshop - Approaching Standards
Jazz musicians spend a considerable amount of practice time learning standard tunes in a variety of keys. By doing so, they become versed in the tradition, while developing a repertoire of music to be played with other musicians. Many choose…
Jazz Drummer's Workshop - Stick Control Revisited Part 2
Welcome to the second installment in our series on drumset applications of George Lawrence Stone’s famous book Stick Control. The following variations utilize the “72 Single Beat Combinations” found on pages 5–7. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS…
Jazz Drummer's Workshop - Approaching Standards
Welcome to the second installment in our series on approaching jazz standards. This article reveals ways of using the melodic rhythm as the source for creating accompaniment (or “comping”) patterns. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
Jazz Drummer’s Workshop - Stick Control Revisited Part 3: 5/4 Variations
Welcome to the third installment in our series on drumset applications of George Lawrence Stone’s classic book Stick Control. The following variations utilize the “72 Single Beat Combinations” found on pages 5 TO READ THE FULL STORY: SUBSCRIBE TO ACCESS…
Elvin Jones-Style Triplet Fills
Jazz Drummer’s Workshop Elvin Jones-Style Triplet Fills Part 3: More Two-Bar Patterns by John Xepoleas Welcome to the third and final lesson in our series on creating Elvin Jones–style triplet fills. This time we’re creating high-energy two-bar fills. Let’s begin…
Antonio Sanchez - The Meridian Suite
by Terry Branam Contemporary drumming giant Antonio Sanchez’s The Meridian Suite takes the listener on a spectacular journey through a nearly hour-long composition that’s divided into five parts. This epic long-form piece features some of Sanchez’s most refined yet most…
JAZZ DRUMMER'S WORKSHOP - Triplet Fill Concepts Part 3
Welcome to the third and final lesson in our series on jazz-style triplet fills. This lesson continues with the three-over-four triplet concept and incorporates buzz rolls, double strokes, and paradiddles. In our first example, we’ll play the accents using the…
JAZZ DRUMMER'S WORKSHOP - Timetable Warm-Up
As drummers, we’re often taught the importance of warm-up exercises. These drills are typically designed to help loosen the muscle groups of your wrists, forearms, and fingers. A good warm-up routine develops your reflexes and helps you produce an articulate…
Swing Style 101, Part 1: Avoiding the 1
Jazz Drummer’s Workshop Swing Style 101 Part 1: Avoiding the 1 by Justin Varnes Chances are, not many of us launched into a career in drumming after hearing a Papa Jo Jones record and asking our parents for a set…
JAZZ DRUMMER'S WORKSHOP - Crossovers
This month’s lesson focuses on the crossover, a technique that legendary drummers such as Buddy Rich, Gene Krupa, Louie Bellson, Jo Jones, and Sonny Payne popularized in their extended solos. Employing crossovers can help maintain the continuity and flow of…
Swing Style 101, Part 2: The Other Half
Jazz Drummer’s Workshop Swing Style 101 Part 2: The Other Half by Justin Varnes One of the main reasons why it can be so hard to make jazz sound and feel right is that here the basic timekeeping elements of…
Swing Style 101 - Part 3: The Most Common Song Forms
To finish out the series, we’re going to prepare you for when it comes time to play some jazz tunes on the bandstand, by discussing the most standard forms used in this style. Understanding these forms is the key to…
