January 2018 Issue – Volume 42 • Number 1
On 01st Jan 2018
Articles in January 2018
The Foo Fighters’ Taylor Hawkins
As any recording artist will tell you, part of the fun of heading into a project with a new producer is not knowing exactly what sonic pathways you’re going to find yourself exploring, or just what the final result is…
Chris Cohen
Chris Cohen describes himself as a member of the Portastudio generation. It’s a classification he’s coined to describe musicians, now in their late thirties and early forties, who cut their teeth in production with Tascam’s legendary Porta One tape machine.…
Malachi DeLorenzo on Langhorne Slim’s Lost at Last, Vol. 1
A drummer and producer talks about the subtle, refined, and contemplated figures and tones that bedeck an indie/folk singer-songwriter’s latest release.
Chad Sexton
Everything about 311 seems epic: their longstanding lineup, their semi-annual concert/celebration, their throngs of dedicated fans—not to mention the grooves of their founding drummer.
Focusrite - Scarlett 18i20 Audio Interface and OctoPre Dynamic Mic-Pre Expansion Unit
A clean and simple sixteen-channel recording setup that sounds great and won’t break the bank.
What Album Features Your Favorite Drum Tone?
Drummers have long lauded and attempted to duplicate certain distinct tones from records that span a variety of decades and genres. John Bonham’s powerful, booming tone with Led Zeppelin, Elvin Jones’ thunderous onrush with John Coltrane, and Stewart Copeland’s dry…
Steve Jordan - 10 Things the Groove Master Has to Have on Tour
https://vimeo.com/243198181 No touring musician is exempt from the grueling demands of life on the road. Whether he’s playing sold-out arenas with John Mayer or Eric Clapton or hip clubs with Robert Cray or the Verbs, Steve Jordan has ten things…
Ibeyi
These dynamic siblings derive much inspiration from their ancestry. But the direction of their art is undeniably full speed ahead.
Get Good: Listening
As a teenager in high school, I practiced classical piano for two hours a day. I could play really difficult music—as long as it was notated. I ran into trouble when it came to playing music with other people, because…
“A Little Better All the Time”
This month’s featured kit comes to us from Edward McCarthy of West Springfield, Massachusetts, who recently purchased this vintage 1970s Ludwig set. McCarthy explains that the drums, which were originally covered in a wine-red wrap, had seen better days. But…
Live Vibes
Having somewhat recently moved to northern New Jersey, I’ve been enjoying the opportunity to check out some of the jazz clubs that have long defined New York City culture. Although some of the more prominent venues have moved from their…
The New Pornographers’ Joe Seiders
Hundreds of stories have appeared in MD over the years with drummers talking about the skills that helped them land a particular gig. This typically ranges from a knack for supporting songs with creative, unobtrusive playing to the ability to…
Jon Epcar
Jon Epcar’s master plan didn’t involve drumming on Broadway. Born and raised in Los Angeles, Epcar went to a high school with a strong music program that included graduates like saxophonist Kamasi Washington. So the drummer got the bug and…
Dream - Energy Series Additions and Dark Matter Eclipse Ride
Big, all-purpose plates and a clean, quick dual-finish ride.
New Gear from Promark, ATV, Cymbomute, Sabian and drumdots!
Promark Matthew Strauss Signature Sticks This signature stick series is the first in the Promark catalog to use persimmon, a preferred wood type among concert percussionists for its strength, comfortable weight, and density. The .670"x17" General Concert Stick features a…
