Education
Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.
In the Studio With Kenny Chesney’s Sean Paddock
When drummer Sean Paddock isn’t out playing stadium shows with country superstar Kenny Chesney, he’s in his newly built riverfront home studio making music. Paddock had a small area allocated for recording in his previous house, but moving to a…
Stick Technique Revisited
Part 5: The Moeller Whip Stroke The Moeller whip stroke is named after Sanford “Gus” Moeller, a famous teacher from the early 1900s who became known for teaching a whipping motion used by Civil War drummers. In recent years, “Moeller”…
Get on the Good Foot! Part 1
Hi-Hat Comping Riffs in 4/4 Jazz drummers depend on the hi-hat to help propel the band and provide strength to the weak beats of 2 and 4. When played in sync with the ride cymbal, a dynamically controlled hi-hat pulse…
Tony Allen
A Tribute to the King of Afrobeat Drumming Afrobeat pioneer Tony Allen’s contribution to modern music runs as deep as his groove. As the creator of an entirely new drumming style, his contributions are profound, and his influence has reached…
Remembering Neil Peart
Part 3: The Professor’s Improvised Warm-Up Routine When Neil Peart came up with a series of topics to cover for his course on DrumChannel.com, he said he wanted to include his warm-up routine. I expected it to be a series…
Stick Technique Revisited
Part 4: Alley-Oop The alley-oop technique is what I call a wrist/finger combination used for playing double strokes (diddles) and triple strokes. While it can be likened to the push/pull technique, which is a wrist stroke followed by a finger…
Samba Funk
Modern Fusion Beats Based on Traditional Brazilian Rhythms Hi, everybody! It’s a pleasure to be back writing for Modern Drummer and sharing some of my Brazilian culture with you. This time I am talking about my application of samba funk…
Remembering Neil Peart
Part 2: “De Slagwerker” Drum Solo Neil and I often talked about improvisation. He told me why his solo in “De Slagwerker” was so important to him. What follows are some of Neil’s own words, taken from his Drum Channel…
Chad Smith’s Three Basic Beats to Infuse with Your Own Thing
You can get ten different people playing on a basic drumset, playing a basic rock beat, and they will all sound different. We each have a signature, and that’s a beautiful thing. It’s not “my way or the highway”—it’s about…
Beat Displacements
Exercises for Internalizing 16th-Note Permutations Displacement is a beat-editing tool that can make a groove sound glitchy. This is achieved by shifting the groove in such a way that what was originally played on beat 1 is now landing somewhere…
Joe Morello
Chops Master and Musical Poet Joe Morello inspired thousands of drummers during his long career, which spanned from 1957, the year of his first recording session with Dave Brubeck, to 2011, when he passed away. Morello’s legacy reached a wide…
In the Studio With Miles McPherson: Touring Pro Turned Session Ace
Miles McPherson moved to Nashville in 1986, when his father, Jerry, relocated the family there so he could work in the studios as a session guitarist. Miles was expecting to be a guitarist—until he sat at a drumset for the…
5 Fun Lessons to Get Today’s Youth into Drumming
If your child is banging his or her dinner utensils around and smacking pillows with plastic lightsabers, it’s likely time to transition your budding rhythmatist to some drum lessons. The challenge is how to maintain the entertainment factor of bashing…
Inspired Instruction
Five Drum Students Celebrate the Teachers that Mentor Them Our online education issue features interviews with several of the top educators working in online drum instruction today. We thought it would be equally interesting to turn the tables and ask…
