January 2018 Issue – Volume 42 • Number 1
On 01st Jan 2018
Articles in January 2018
Paul Koehler With Silverstein
Hot off the release of a new record, the heavy hitter propels his tireless rock band around the world with a never-stop attitude.
Live Vibes
Having somewhat recently moved to northern New Jersey, I’ve been enjoying the opportunity to check out some of the jazz clubs that have long defined New York City culture. Although some of the more prominent venues have moved from their…
SJC - Paramount Series Shell Pack
A professional-quality, affordably priced kit designed to exceed nearly any working drummer’s needs.
Ibeyi
These dynamic siblings derive much inspiration from their ancestry. But the direction of their art is undeniably full speed ahead.
Malachi DeLorenzo on Langhorne Slim’s Lost at Last, Vol. 1
A drummer and producer talks about the subtle, refined, and contemplated figures and tones that bedeck an indie/folk singer-songwriter’s latest release.
What Album Features Your Favorite Drum Tone?
Drummers have long lauded and attempted to duplicate certain distinct tones from records that span a variety of decades and genres. John Bonham’s powerful, booming tone with Led Zeppelin, Elvin Jones’ thunderous onrush with John Coltrane, and Stewart Copeland’s dry…
Focusrite - Scarlett 18i20 Audio Interface and OctoPre Dynamic Mic-Pre Expansion Unit
A clean and simple sixteen-channel recording setup that sounds great and won’t break the bank.
Hi-Hat Accents - Adding Melody to Your Grooves
https://vimeo.com/243360989 In this lesson we’ll embellish 16th-note grooves with hi-hat accents. In Exercises 1–4, accents are placed on the main hi-hat in the first measure, and in the second measure the right-handed accents are moved to the ride or an…
Dweezil Zappa’s Ryan Brown
When he took over the drum chair with Dweezil Zappa more than four years ago, Southern California–based drummer Ryan Brown had to expand his setup in order to accommodate all of the sounds required in the extensive catalog that the…
The Foo Fighters’ Taylor Hawkins
As any recording artist will tell you, part of the fun of heading into a project with a new producer is not knowing exactly what sonic pathways you’re going to find yourself exploring, or just what the final result is…
Rhythmic Conversions, Part 6: Funk Grooves and the Half-Note Triplet
In this lesson we’ll superimpose a new tempo over an existing pulse using a half-note triplet, and we’ll manipulate the subdivision to create funk grooves in the implied pulse. Be sure to practice these patterns with a metronome and work…
“A Little Better All the Time”
This month’s featured kit comes to us from Edward McCarthy of West Springfield, Massachusetts, who recently purchased this vintage 1970s Ludwig set. McCarthy explains that the drums, which were originally covered in a wine-red wrap, had seen better days. But…
Jon Epcar
Jon Epcar’s master plan didn’t involve drumming on Broadway. Born and raised in Los Angeles, Epcar went to a high school with a strong music program that included graduates like saxophonist Kamasi Washington. So the drummer got the bug and…
