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August 1985 – Volume 9 • Number 8

I first heard Frankie Dunlop’s drumming in the best way possible. When I was about 17years old, I was visiting a friend who had Two Hours Of Thelonious on the turntable. The drumming on that record went straight to my heart, and my enthusiasm for Frankie’s drumming has never lessened over the years. I owe a big thanks to Mel Lewis for putting me in touch with Frankie. The first part of this interview was done in October ’84 in New York City. Part two was taped at my home in Connecticut. If I’d had Frankie’s energy, we possibly could have pulled an all-nighter, and wrapped this up in New York City. He doesn’t smoke, and he rarely drinks. He came to Connecticut armed with bottles of spring water and apple juice, and gave my wife and I some excellent tips on the health benefits and proper preparation of papaya […]
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Articles in August 1985

Drumming And The Big Break

Young drummers often ask the question, "How did you get your big break?" In my own case, it started when I met Louie Bellson in Kansas City. Louie was visiting the drum studio where I was taking lessons. He played…

by Roy Burns
Sep 14, 2018

Study In 8th-Note Triplets

This month's Rock Perspectives examines some time feels involving the use of the 8th-note triplet. When practicing these examples, remember to concentrate on the two sound levels (dynamics): Accented notes should be played forte (f), and unaccented notes pianissimo (pp).

by David Garibaldi
Sep 14, 2018

Herman Rarebell — Keeping The Basics Together

HAVE you noticed how more drummers seem to be getting involved in writing? Many people regard this as a very healthy thing. Drummers are becoming more than just the people in the back who keep the time happening. The obvious…

by Susan Alexander
Sep 14, 2018

George Grantham — Dedication

It was the '60s—an exciting time—and Southern California was developing its own answer to the "British Invasion, "San Francisco's psychedelia, and Detroit's Motown. L.A.'s scene was creating country/rock/folk with exciting newcomers like Jackson Browne, the Nitty Gritty Dirt Band, the…

by Robyn Flans
Sep 14, 2018

U2's Larry Mullen, Jr.

Since ancient times, the sound of drums has prevailed at human rites of passage: war drums, funeral drums, marching drums, drums of life, and drums of death. It was the call of a "different drummer" that guided Henry David Thoreau.…

by Connie Fisher
Sep 14, 2018
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August 1985 - Volume 9 • Number 8

Larry Mullen Jr., George Grantham, Frankie Dunlop, Chris Steffler, Roy Hanes, Herman Rarebell, Chuck Riggs, Bill Bruford, Omar Hakim, Nick Mason, Terry Bozzio

Modern Drummer
Aug 1, 1985

Platinum Blonde’s Chris Steffler

In setting up this interview with Chris Steffler, drummer of the hugely popular Toronto band, Platinum Blonde, I was impressed by how easy he was to reach. After only two calls to his management, I was able to talk to…

by Steven Peterson
Sep 14, 2018

Chuck Riggs

Eddie Cantor used to say, "Sometimes it takes ten years to become a star overnight." Chuck Riggs, 34, knows the feeling. He had been working with tenor sax player Scott Hamilton for a full ten years before the release of…

by Chip Deffaa
Sep 14, 2018

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