Rock 'n' Jazz Clinic
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Open-Handed Playing
Discovering Rhythms Inside the Paradiddle Besides being one of the most popular rudiments, the single paradiddle is a good example to illustrate the overlap between linear and rudimental drumming, and it’s great for working on an open-handed approach (right hand…
A 5-Step Workout for Building Coordination Over a Pulse
Complete independence is something that we all strive for, but it can be very confusing and frustrating to practice. This workout/challenge will focus on what I would consider to be “practical independence.” In other words, it’s designed to build the…
Give The Audience Some
Grounding Odd-Time Grooves With a Quarter-Note Pulse Playing songs in odd times can be challenging to you as a drummer, but one thing that doesn’t get much attention is how tough odd times can be on the audience. It’s called…
Rediscovering Rudiments
Simple Ways to Progress Beyond the Snare Regardless of your desire as a drummer, whether it’s to play blistering solos or tasteful grooves, studying the rudiments will do much to help you take your craft to the next level. In…
Grooving With Fives
A Progressive Approach to Phrasing Quintuplets on the Drumkit Sixteenth-note quintuplets are five notes played per quarter note. The simplest way to count them in 4/4 is, “ONE, two, three, four, five; TWO, two, three, four, five; THREE, two,…
Latin Rhythms in Pop Music
Part 1: Bossa Nova and Samba I often meet drummers who just aren’t interested in studying Latin rhythms. I’ve heard the same thing many times: “I’m never going to play a samba, mambo, songo, or 6/8 groove, so why…
Rock N Jazz Clinic - Linear Coordination: Part II
Linear coordination is a tasteful learning concept and the groundwork for dexterous coordination and good counter-rhythm playing.
Rock 'N' Jazz Clinic - The Musical Drummer
One of the questions that has come up the most times in conversations is: "What is this about form in music? How do you know where you are? How do you approach playing with other instruments on specific tunes? TO…
Rock 'N' Jazz Clinic - Bembe-Inspired Half-Time Shuffles
The original inspiration for these patterns came courtesy of Brady Blade’s wonderful groove on the tune “So Damn Lucky” from Dave Matthews’ 2003 solo album, Some Devil, and the parts have roots in traditional rhythms found in Afro-Caribbean bembe music.…
ROCK ’N’ JAZZ CLINIC - Hidden Rhythms Part 2 Odd Groupings
Last month we explored the endless rhythmic and textural ideas hiding inside a measure of 16th notes, including clave and cascara patterns, partido alto phrases, and more. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
ROCK ’N’ JAZZ CLINIC - Squashed Stickings
Finding creative ways to apply rudiments to the drumset can be a great way to discover new vocabulary. In this lesson, we’ll discuss what I call “squashed stickings.” A squashed sticking applies a specific roll to a steady subdivision but…
ROCK ’N’ JAZZ CLINIC - Groove Construction
In the second part of this series, we’ll continue to create new grooves by displacing the snare drum. We’ll start with a basic pattern that consists of 8th notes on the hi-hat, snare hits on beats 2 and 4, and…
Rock 'N' Jazz Clinic - Groove Construction
Ghost notes are an excellent way to expand your dynamic range. In this lesson, we’ll focus on dynamics and technique while working on ghost notes by using an ostinato approach. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
World Groove Independence Mash-Up
When I began writing my latest book, Groove Freedom, the goal was to gain flexibility both within my students’ grooves and my own. As I practiced the book’s systems, I realized they helped with independence as well as with groove.…
