modern drummer
Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.
Driver's Seat: Learning The Chart and Phrasing
Last time, we discussed the value of underplaying and keeping the energy level high. This article deals with two of the most important of all the nine tips I've suggested: learning the chart and phrasing. TO READ THE FULL STORY:…
Teachers Forum: The Gladstone Technique
The late William D. Gladstone was a multi-faceted percussionist who for many years worked in the pit orchestra of Radio City Music Hall in New York. Many well known drummers studied technique with him during the 40's and 50's. TO…
Rudimental Symposium: Back-sticking
Years ago, back-sticking was almost unknown in most drumming circles and when it was used, it was usually done in a rather simple way. Since that time, back-sticking has become more widely used and with this use has come some…
Gene Krupa 1909-1973
"I'm happy that I succeeded in doing two things: I made the drummer a high priced guy, and I was able to draw more people to jazz." TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
Jazz Drummer's Workshop: Foundational Studies For Ride Cymbal Technique
Before be-bop, jazz rhythm was characterized by equal emphasis on all four beats of the measure. With bop came the accentuation of the second and fourth beats. This accentuation is clearly heard in the ride cymbal pattern with reinforcement on…
Rock Perspectives - Developing Hand/Foot Coordination
For a drummer, one of the most important areas of study and consideration is developing hand and foot coordination. Frequently, I am asked how I develop independence. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
Drivers Seat: More On Phrasing
In my last article, I discussed the various methods used to learn the chart and the importance of phrasing. I'd like to go into phrasing with the band further. Let's check some recorded works of the same charts by different…
Complete Percussionist: Interpreting Marches
Is it possible to "kick" a march in much the same way you kick a dance band? As long as we're not talking about dance band rhythms, but are talking about support (supporting the brass and reeds in a march…
South Of The Border: Brazilian Percussion
Brazil has been a rich source of music and rhythm for many years. Virtually every percussionist has a few Brazilian percussion instruments in his "toy" collection. It is important for drummers to he familiar with these fascinating instruments, since by…
Michael Shrieve: Transcendence
I can remember being 16 years old, listening to 17-year-old Mike Shrieve on the first Santana album. It was released soon after Santana's stunning performance at the Woodstock Festival. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
Andrew Cyrille: An Aesthetic Endeavor
Andrew Cyrille has always been interested in the interpretive power of drums and percussion, and he has shown various aspects of this in contexts ranging from the Cecil Taylor Unit, to solo percussion albums and concerts. Here, he shares his…
Rock Perspectives: It’s an Open and Shut Case
When playing consecutive sixteenth notes on the H.H., with eighth note and/or sixteenth note "swishes" in the pattern, the tendency upon closing the H.H. (at the end of the swish) with the L.F., is to double that note with the…
Saul Goodman The Master Tympanist
With every instrument, there are certain players who, through their musicianship, manage to raise everyone's consciousness about how that instrument can he played. Often, these players also become involved with instrument design, in an effort to reduce the physical limitations…
South of the Border: Mambo on the Drum Set
The Mambo, along with its close relative the Son Montuno, makes up a significant share of the music played at Latin dances. It is too bad that the Mambo is not played more often at American dance jobs. It is…
