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Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.

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Dexterity in Odd Rhythms: Quintuplet Variations

In this article we’re going to cover how to feel quintuplets using an Indian counting system. There are many different variations, but the syllables I like to use are ta, ka, din, ah, and gah, which are easy to pronounce…

by Aaron Edgar
Oct 24, 2017

Physical Hazards Of The Throne

13 Exercises to Minimize the Wear and Tear of Drumming Drummers play thousands—maybe even millions—of strokes throughout the course of their careers. With that amount of repetitive activity, mechanical wear can occur, which can then cause pain or injury. Over…

by John Platero
Oct 24, 2017

Inner Drumming

Listening With All Four Limbs, Part 4 If this is the first time you’re reading about Inner Drumming, the diagrams in this article may seem unusual. But rest assured that if you spend a few minutes with them, you’ll begin…

by George Marsh
Oct 20, 2017

Popular Play-Alongs

Part 3: Synth Medal In the last two play-along articles, we worked on the proper performance technique, groove vocabulary, and sounds of contemporary pop/R&B and punk-pop— two styles of music that you’ll likely be asked to play as a working…

by Donny Gruendler
Oct 20, 2017

Don't Disturb The Groove!

Part 3: Combination Patterns In this third installment we’ll combine the two techniques that we’ve been working on: broken doubles and hi-hat substitutions. Some of the grooves incorporate the entire drumset rather than only the bass drum, snare, and hi-hat.…

by Tobias Ralph
Oct 20, 2017
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Snare Drum Studies

Lessons In Counting and Stretching Rhythm For drummers, the rudiments are often likened to scales for other instrumentalists, but we have scales too. These “rhythm scales” give us access to new percussive “notes” like the quintuplet. The results we get…

by Colin Woodford
Oct 20, 2017

Make A Statement!

Concepts for Drumset Improvisation Improvisation is at the core of every great jazz performance, and as we mature as musicians we become more confident in expressing ourselves on our instrument. The rhythmic or melodic concepts that we play illustrate a…

by Steve Fidyk
Oct 20, 2017

Fours and Sevens in 7/8

Part 3:Triple Strokes This month we’re going to finish the Fours and Sevens in 7/8 exercise by playing it with triple strokes. As with double strokes, the key to playing high-quality triple strokes is finger control. The challenge is to…

by Bill Bachman
Oct 20, 2017

Concepts - Art vs. Money

If you run your own business, at the end of the year you review profits and expenses.

by Roy Burns
Oct 19, 2017

Rock Perspectives - Playing Simple

The following material is a presentation of some simple ideas I've developed for use with my private students.

by David Garibaldi
Oct 19, 2017

Show And Studio - Notes On The Making Of Moving Pictures Part 1

Having been a regular reader of MD for the last couple of years, I've noticed most of the studio information has been for the

by Neil Peart
Oct 19, 2017

Complete Percussionist - Chord Scales

In this article, I'll discuss the connection between chords and their chord scales.

by David Samuels
Oct 19, 2017
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Jazz Drummers Workshop - Studies in Style: Part 1

Philly Joe Jones The “perfect combination of Blakey’s unquenchable fire, Catlett’s melodiousness, and Roach’s subtlety”—such is MD‘s description of Philly Joe Jones. Joe was all of the above, and more, on the 1958 album, Milestones, with Miles Davis, Cannonball Adderley,…

by Howard I. Joines
Oct 19, 2017

Drum Soloist - Elvin Jones: "Crisis"

From the album Ready For Freddie (Blue Note 84085), by Freddie Hubbard.     TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN

Transcribed by Jean-Etienne Roch
Oct 19, 2017
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