Education
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Flowing Diddles, Triple Strokes, and Paradiddles
Essential Motions for Smoother Transitions
Jon Theodore Style and Analysis
From his days playing mind-melting Mars Volta compositions to his current gig with the rock giants Queens of the Stone Age, Jon Theodore has inspired drummers with powerful grooves, explosive fills, and rock-solid time. His ability to craft the perfect…
Be the Driver!
Ask any musician, especially a non-drummer, “What’s the number one role of the drummer?”
Drum Athletes Part 4: Dynamic Stretching
Talk to any professional drummer who travels on a regular basis, and he or she will testify to the benefits of staying healthy on the road. Many touring musicians understand the value of getting enough sleep, drinking a lot of…
Compound Rudiments The Blam
Many of the basic drum rudiments can be combined. If you analyze a paradiddle, you’ll see that it’s really just two single strokes and a double. With that in mind, I’ve decided to blend two of my favorite sounds on…
Indian Clave
Building a Bridge Between Two Rhythmic Cultures Indian Clave Every piece of music has a story to tell, and the one we’re looking at this month, “Indian Clave,” started at a festival in Croatia, when I performed with Horacio “el…
Popular Play-Alongs Part: 5: Rap-Metal
In this series of articles we’ve focused on developing the proper performance technique, groove vocabulary, and sound to play a wide variety of tunes. In our final installment, we’ll be combining two types of grooves in a rap-metal tune titled…
Latin Rhythms in Pop Music
Part 1: Bossa Nova and Samba I often meet drummers who just aren’t interested in studying Latin rhythms. I’ve heard the same thing many times: “I’m never going to play a samba, mambo, songo, or 6/8 groove, so why…
Popular Play-Alongs: Part 4: Dance-Rock
In the last three play-along articles (July and October 2012 and January 2013), we focused on developing the proper performance technique, groove vocabulary, and sound to play alongside Top 40, pop-punk, and synth-metal tunes. In this month’s installment, we’re taking…
Further Beyond the Barline
2/4 Hemiolas in ¾ and 6/8 Welcome to my second article discussing an approach to improvisation that will allow you to play longer and more interesting solo phrases in a variety of styles. As in the first part, which appeared…
Polyrhythmic Coordination Part 4: Six-Note Base Rhythm
Last time (November 2012), we continued our study of two-hand polyrhythmic coordination by playing a five-note base rhythm with one hand while adding one to eight evenly spaced notes over the top with the other hand. This month we’re using…
Timbales: The Roots of the Latin Drumset
The essence of playing the drumset in Latin American music consists of orchestrating the different percussion parts from the original styles. Before the drumset was incorporated into Afro-Cuban music, it was the “pailas,” aka Cuban timbales, that fulfilled that role,…