Education
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Burning on Double Bass — Basic Hand/Foot Patterns
There are no shortcuts in gaining control in drumming. Just as it takes time to develop speed and accuracy with your hands, the same applies to your double bass playing. The important things are to be focused in your practice…
Inner Drumming Listening With All Four Limbs, Part 2
In my previous article (April 2012), I explained the concept of listening—or sounding—with each individual limb and the importance of practicing increased internal awareness of the energy flow from limb to limb. The exercises started by focusing on one limb…
Travis Orbin on Silly String II
Exploring the Session Guru’s Latest Chop-Infused Labyrinth
Get Up! Strategies for Playing Fast and Staying Relaxed
It’s widely understood that the faster the tempo, the more relaxed your body needs to be. In some cases, however, players psych themselves out when playing fast, which in turn affects their confidence in the ability to compose beat and…
The Spivack/Wilson Approach to Technique Part 4: Advanced Concepts
As you’ve seen throughout this series of articles, technique is built on learning a series of small, progressive steps that become more and more complex. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
Brush Workshop Part 4: Rudiments
Almost every drummer practices the rudiments—with sticks. If you’re serious about learning how to use brushes, why not also practice the rudiments with them? TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
The CRASH Course to Success Part 2: Relationships
This article focuses on the second portion of my CRASH (“commitment, relationships, attitude, skill, and hunger”) concept. We’re going to look at how relationships apply to our drumming, our onstage interactions, and our overall musical career. TO READ THE FULL…
Chops Builders Part 18: Irish Spring
This month we’re going old school—with a new twist. What we’re working on is a standard exercise called Irish Spring that comprises swung double beats with smooth hand-to-hand turnarounds. This exercise has been used by rudimental drummers for decades, but…
Open-Handed Playing Part 3: Triplet Groove Systems
In this article I’d like to take the idea of avoiding crossed hands into the rhythmic field of triplets. Triplet-based grooves have their own special twists and turns. Playing these ideas open-handed can be a serious challenge, one that will…
Inner Drumming Part 1: How to Listen With All Four Limbs
Ever since I privately published my book Inner Drumming in 1983, I’ve received hundreds of letters and emails wanting to know exactly what it is and how to obtain a copy. This is the first of a series of articles…
