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Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.
Roger Taylor Excerpted from the March 1985 issue
What prompted you to start playing drums? When I was at school, I used to listen to the radio and records a lot. When I was younger, it was sort of the start of the techno-rock thing. I was brought…
Larry Mullen A candid interview with the drummer
Excerpted from the August 1985 issue Let me say first of all that I don’t do interviews, ever. I did them when the band started, and then 1 stopped because I didn’t enjoy them. I’ve seen issues of Modern Drummer.…
Jon Farriss Excerpted from the October 1988 issue
Innocently and completely unexpectedly, Jon Farriss poses the question, “Are you really sure that drummers want to read about me?” It was a definite “first” within my realm of experience as a music journalist. Yet, as strange as the question…
Max Roach Excerpted from the June 1982 issue
Max Roach is a vital link in the chain of drum history. He was recognized as the man who pioneered a modern drumming style for his work with bebop giants like Charlie Parker and Dizzy Gillespie. In the ‘50s and…
Peter Erskine Excerpted from the January 1983 issue
If Peter Erskine isn’t careful, he’s going to start giving jazz, musicians a good name. I mean, we all know about the reputation jazz players have with the general public, right? The stereotypical jazzer is perceived to be a sullen,…
Art Blakey Excerpted from the September 1984 issue
The first rays of dusk suffuse Art Blakey’s Greenwich Village apartment with shards of amber gray light, and as the shadows dance upon his brow, Blakey’s face takes on a totemic grace. The snow-white hair fades out of the foreground…
Jack DeJohnette Excerpted From The October 1989 Issue
“I’m having more fun with music,” says Jack DeJohnette. “Now that I’m in my mid-40s, I don’t take everything so seriously. As I let go of a lot of past fears and false illusions about what music is supposed to…
Billy Cobham Excerpted from the August/September 1979 Issue
Billy Cobham is one of the strongest innovative forces on the drumming scene today. Both his technique, and drum set up are awesome. We met at Starr Recording Studios where Cobham was to record an instructional tape for the Tama…
Moments in the Mist
I didn’t realize how badly I had mucked it up until years later. I started Sound & Vision Studios in 1983—transforming the former annex of a metal shop in San Francisco’s bohemian-artist backwater of Potrero Hill—with band mate Neal Breitbarth.…
David Garfield Salutes Vinnie Colaiuta
Vinnie Colaiuta is considered by many in the international drumming community as one of the most accomplished drummers of all time. In his early years, however, after arriving in Los Angeles from the East Coast, there was surprisingly a bit…
Bubinga Bonanza!
It took nearly two years of research, more than a couple of strategy and design meetings, and gear from four very different companies—including some rare Dragon Drums—but Ed Coughenour finally built his dream kit. There was also some hand wringing…
Dominic McNabb
It doesn’t take long to become enthralled with South African drummer Dominic McNabb. His chops are next-level, his creativity is beyond-his-years masterful, his grooves are extremely tight and tasty, and he plays with an electrifying, inspiring energy. He has been…
That Great Gretsch Sound!
The sign says it all. The Gretsch Company, which has been manufacturing instruments since its founding in Brooklyn, New York in 1883, now has a permanent museum to celebrate its legacy, promote music education for future generations, and even make…
Graeme Edge
March 30, 1941 – November 11, 2021 All the greatest bands have memorable drummers: Charlie Watts, Ringo Starr, John Bonham, Keith Moon. They are the furnace that powers a band’s engine. We have to add Graeme Edge to that list,…
