September 2014 Issue – Volume 39 • Number 9
On 01st Sep 2014
LOG IN
Digital Access
$4.99 /month or $49.99 /year
SAVE 15%
- Digital Monthly Magazine
- 47 Years of Archives (500+ Issues)
- 40+ Drum Channel
All Access (Print + Digital)
USA $14.99 /month (Billed Annually)
- Digital Subscription
- 6 physical copies of Modern Drummer, sent bi-monthly
- Access to exclusive giveaways and meet and greets
- Modern Drummer t-shirt / Modern Drummer hat
- Modern Drummer Masterclass
Articles in September 2014
Clem Burke: Pure Pop Power
“Clem was new wave’s premier drum showman, but his showmanship never got in the way of his emphatic, tom-heavy drumming style. And his Premier kit, with its oversize rack tom and cymbals positioned at right angles, was as striking to…
Volume Independence and Musicality
More About “How” Than “What” There are many different concepts and methods for developing independence. Most of us spend countless hours working on independence the traditional way, by playing a rhythm with one hand (e.g., a jazz swing ride pattern)…
Hozoji Matheson-Margullis
Photo by Bebe Beach Covering lead and backing vocals while playing over rapidly shifting arrangements—with a refreshing open-handed approach—she can’t help but make Helms Alee stand out on today’s indie-rock scene. Over the course of three full-length albums, Helms Alee,…
Linkin Park's Rob Bourdon
Most bands with a winning track record eventually hit a creative wall, where the fork in the road to the future leads either to reinvention or a rehashing of their old hits. Linkin Park’s The Hunting Party is clearly an…
Armando Perazza
Percussionist Armando Peraza, whose pioneering work brought together the worlds of Afro-Cuban, jazz, and rock music, passed away this past April 14 in San Francisco at age eighty-nine. He is survived by his wife, Josephine, a daughter, and three grandchildren.…
Howard Grimes
He might not share quite the same name recognition as some of his contemporaries, but his deep grooves grace many of the heaviest and most well-known soul recordings of all time. At twelve years old, Howard Grimes was already performing…
Syncopation Revisited Part 4: Brazilian Applications
We continue our series on ways to interpret the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer by applying Brazilian rhythms and phrasing ideas to the written manuscript. The following applications can be used with any…
“Nothing Endures but Change” — An Introduction
When the editors of Modern Drummer invited me to write a few Concepts pieces, my first reaction was, “Me? That’s Roy Burns and Billy Ward’s column, right?” I always loved reading Roy’s articles. He was the first drum clinician I…
