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March 2018 Issue – Volume 42 • Number 3

Florida-based Ddrum debuted all-maple Dios series drumsets in 2008, and they quickly became the top choice of many of the company’s artists and customers. So why was the Dios line discontinued in 2012? We asked Ddrum’s director of marketing and artist relations, Felix DeLuna. “We were attempting to follow suit with the rest of the industry with drums that had a bit of vintage swagger and traditional sizes,” DeLuna explained. “That was the origin of the Paladin Maple series, which were great-sounding drums. However, that aesthetic wasn’t embraced by our current fans, nor did it really bring in any new fans. We were too young of a company to succeed with a ‘vintage-inspired’ line.”
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Articles in March 2018

John Clardy On Tera Melos’s Trash Generator

Diving Deep Into the Experimental Trio’s Latest Release

Article by Austin Burcham | Photo by Colin Eldridge
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A Slingerland Unmasked

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Remembering Ben Riley, Frank Capp, Grady Tate, and Chuck Blackwell.

Ben Riley This past November 18, the American jazz-drumming great Ben Riley passed away at the age of eighty-four. A brief list of Riley’s credits includes Alice Coltrane, Sonny Rollins, Stan Getz, Woody Herman, Ahmad Jamal, Kenny Barron, the New…

Modern Drummer
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Ulysses Owens Jr.

During his long tenures with the jazz stars Christian McBride and Kurt Elling, Ulysses Owens Jr. aspired to build his own standing as a leader. The dazzling and seriously swinging drummer has taken another strong stride in that direction on…

Article by Jeff Potter | Photo by Rayon Richards
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Alesis - Strike Pro Drumset

A top-notch e-kit built to look and feel like an acoustic set while offering unlimited sonic capabilities.

by Michael Dawson
Jan 31, 2018
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Sugar Percussion - 2-12 Series Mahogany Snares

An experiment with shell depths yields surprising results.

by Michael Dawson
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Drum Wisdom: Legendary Educator Michael Carvin

One could take issue with Michael Carvin’s insistence that he isn’t a jazz drummer. His credits as a sideman for Freddie Hubbard, Jackie McLean, and Pharoah Sanders, of course, suggest he’s wrong in that assertion. But in talking with him…

by Keith Carne | Photo by Rahav Segev
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The Fundamentals of 5/4 Rock

Backbeat and Ghost Note Placement

by Joel Rothman
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Phantogram’s Chris Carhart

ON STAGE AND UP CLOSE

Interview Michael Dawson | Photos by Nicholas Shelestak
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John Convertino on Calexico’s The Thread That Keeps Us

A presidential election, a trip west to the coast, and an immersion in nature invigorate the indie mainstay’s latest foray into Tex-Mex-infused Americana bliss.

Article by Willie Rose | Photo by Eric Stoner
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Appreciation and Gratitude

Photo by Jeff Smith Happy New Year! It’s that time again, when we reflect back on the past year and appreciate all the wonderful opportunities we’ve been blessed with. Time has always fascinated me. Maybe being a drummer has something…

by Billy Amendola
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Bebop Syncopation, Part 3: Elvin Jones

Elvin Jones was a driving force behind John Coltrane’s explorations in the 1960s and is widely regarded as one of the most important figures in jazz drumming. This lesson applies the principles of his style to rhythms found in the…

by Mike Alfieri
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The Failure Percentage

Preparation and Professionalism Always Win Out

by Russ Miller
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Former Hole and Current Upset Drummer Patty Schemel

MD spoke with the former Hole and current Upset drummer just before the release of her new memoir, Hit So Hard, which recounts her early life, her rise through the Seattle music scene of the ’80s and ’90s, and her struggles with addiction.

Interview by Ben Meyer | Photo by Alex Solca
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Big & Rich's Keio Stroud

When national artists record in Nashville, they call on world-renowned studio greats like Paul Leim, Eddie Bayers, Lonnie Wilson, Greg Morrow, and Chad Cromwell to put down the ultimate version of a track. But when those artists need a sub…

Story by Aaron Strickland | Photos by Joey Tanner
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Drum Fills: Keep It Simple, or Shred?

Drummers have to consider plenty of options when choosing an appropriate fill to play in a given situation. Factors such as voicing, subdivision, density, and speed comprise just a few of the choices. While keeping these options in mind, we…

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Edit Bunker’s Zach Danziger

FROM FUSOID WILDCHILD TO ELECTRO-VISIONARY

Story by Ken Micallef | Photos by Lloyd Bishop
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Seven-Over-Three Polyrhythms

Exploring the Space Between an Odd Grouping

by Aaron Edgar
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by Michael Dawson
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