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March 2014 Issue – Volume 39 • Number 3

Part 4: Up-Tempo Studies Welcome to the fourth and final installment in our series on Stick Control drumset applications. This month we’ll explore ways of interpreting author George Lawrence Stone’s exercises while playing up-tempo swing rhythms. As you practice the following applications, it’s important to remain as relaxed as possible, allowing the sticks to rebound naturally. Try working out these examples in front of a mirror to ensure that your wrists, forearms, and fingers are moving together in a natural way. Practicing with a metronome is also strongly suggested. The following variations can be applied to any of the “72 Single Beat Combinations” found on pages 5–7. Let’s begin by reading each sticking as whole notes, with each R on the bass drum and each L on the snare. A good starting tempo for these is 220 bpm. Here’s a phrase that incorporates the first measure from Examples 5–8 from […]
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Articles in March 2014

Beyond "Funky Drummer"

Great Drum Breaks of the '60s and Early '70s Much has been written about Clyde Stubblefield’s legendary drum break on James Brown’s 1969 song “Funky Drummer.” Those few bars laid the groundwork for dozens of hip-hop tracks, and Stubblefield’s playing…

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Rhythm And Timing, Part 1

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by Bill Bachman
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Alex Rüdinger

The new drummer with the progressive metal band the Faceless has turned heads with a combination of old-world ethics and future-shock techniques. Alex Rudinger has built a great deal of musical momentum on the technical metal scene, all at the…

by Ben Meyer
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The 50 Greatest Drummers of All Time

Whose playing endures through the decades? Whose music do we reach for when we want new ideas? When we want to practice? Who inspires and delights us most? Following are the drummers who, regardless of genre or era, are revered…

Entries written by Adam Budofsky, Michael Dawson, and Michael Parillo
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Give The Audience Some

Grounding Odd-Time Grooves With a Quarter-Note Pulse Playing songs in odd times can be challenging to you as a drummer, but one thing that doesn’t get much attention is how tough odd times can be on the audience. It’s called…

Modern Drummer
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Nate Wood

His playing in the resolutely unclassifiable band Kneebody seems like a match made in heaven. But you might be surprised by what he has―and hasn’t―focused on while perfecting his craft. Is Kneebody the contemporary version of New Orleans’ beat-slaying band…

Story by Ken Micallef | Photos by Paul La Raia
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