April 2013 Issue – Volume 38 • Number 3
On 01st Apr 2013
LOG IN
Digital Access
$4.99 /month or $49.99 /year
SAVE $10 | Yearly Subscription
- Digital Monthly Magazine
- 47 Years of Archives (500+ Issues)
- 40+ Drum Channel
DigiPrint subscription
USA $179.99 / year (Billed Annually)
USA $14.99 /Month
Get ALL ACCESS – both digital and print
Meet DigiPrint – a collectible physically condensed magazine focusing on the cover story with virtually limitless digital access via QR codes.
All-Access includes:
- 🎁 Get a $30 gift card when you subscribe!<
- 🖥 12 monthly digital issues per year
- 📰 6 printed collectible issues per year
- 📱 Print you can hold. Digital you can explore.
Articles in April 2013
Daughtry's Robin Diaz Interview April 2013
MD’S BILLY AMENDOLA, WHO’S BEEN KEEPING TABS ON THE DRUMMER ALL ALONG, REPORTS. On April 16, 2010, the chart-topping band Daughtry surprisingly announced on its website that original drummer Joey Barnes had left the group, and that L.A. session…
Jane’s Addiction’s Stephen Perkins on the Who’s Live at Leeds
“No matter how many times you listen to Live at Leeds, it surprises,” says MD Pro Panelist Stephen Perkins, who’s been touring with Jane’s Addiction behind its latest studio album, The Great Escape Artist. “It’s so unpredictable, because these guys…
Pete La Roca Sims Style & Analysis
The great jazz drummer Pete Sims was born on April 7, 1938, in New York City, and passed away on November 20, 2012. He gained early professional experience playing timbales in Latin groups, and it was during this period that…
Marvin McQuitty Jr.
He worked with nearly every major artist in the gospel genre, including Fred Hammond, Yolanda Adams, Mary Mary, Israel Houghton, Maurette Brown Clark, and Kirk Franklin. Modern Drummer contributor Stephen Styles explains, from the head and from the heart, just…
Implied Brazilian Rhythms on Drumset
Part 1: Maracatu The musical style Maracatu is an amalgamation of Afro-Brazilian concepts within the context of the annual festival of Carnival. Maracatu, or Maracatu de Baque Virado (“turned-around beat”), originated in religious Candomblé ceremonies used to crown kings…
The Education of Tommy Igoe
Few contemporary players have learned so much about drumming—or have passed the wisdom of the ages down to so many.
Dale Crover on Melvins Lite’s Record-Setting 51/51 Tour
On September 5, 2002, Melvins Lite—guitarist Buzz Osborne, bassist Trevor Dunn, and drummer Dale Crover—embarked on a fifty-one-day rock 'n' roll journey that even other road warriors would consider insane. Here, Crover tells the tale. Hello, fellow drummers! Dale Crover…
Grooving With Fives
A Progressive Approach to Phrasing Quintuplets on the Drumkit Sixteenth-note quintuplets are five notes played per quarter note. The simplest way to count them in 4/4 is, “ONE, two, three, four, five; TWO, two, three, four, five; THREE, two,…
Loosen Up! 18 Triplet-Roll Warm-Ups to Get You Going
The drumset is one of the most physically demanding instruments. As with any other high-intensity physical activity, it helps to loosen up your muscles first with some basic exercises. In this article we’re exploring a warm-up routine based on the…
A Different View: Steve Hackett
The Genesis guitarist, who helped shape some of the most enduring music to come out of England in the ’70s—and who’s remained quite busy since—continues the unique and painstaking re-creation of his rich body of work. The opportunity to discuss…
The Half-Time Shuffle
Variations on One of Drumming’s Slinkiest Grooves The half-time shuffle is a signature beat for some of the most legendary drummers in history. Guys like Bernard Purdie, John Bonham, and Jeff Porcaro are all considered masters of this feel. Let’s…
Snarky Puppy's Robert "Sput" Searight
What’s on this monster multi-instrumentalist’s mind when he’s at the drumset with the kaleidoscopic groove machine known as Snarky Puppy? Melody, of course. Who would take a mini orchestra navigating funk, jazz, fusion, and world music and name it…
Gene Hoglan: Lifting Metal Drumming Ever Higher
By marrying the syncopated swagger of Steve Gadd and other non-metal drummers to his uniquely staggered double bass passages and dual-ride flourishes, Hoglan introduced into metal a certain ebb-and-flow type of playing that strayed from the beaten path. His approach…
