Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.
Ex Libris
“Ex Libris” means “from the library of.” There are many words whose first two letters are “ex:” excellence, excess, extra, extravagance, and expedience. And it would seem that much of our energies are expended towards adding one or another of…
David Lloyd Johnson Celebrates Frank Lloyd Wright
The backstory of David Lloyd Johnson’s one-of-a-kind Frank Lloyd Wright kit was initiated by three of his idols. After diving into drumming at 14 years old, Johnson became entranced by the playing of Idol #1—Ginger Baker—and he eventually acquired a…
Motorheart, The Darkness
Rufus Taylor of the Darkness here. Motorheart is our hard-hitting new album, and we’re very proud of her. I used my old-faithful DW Collectors Series kit in maple-lacquer, specialty-pearlescent black with black chrome hardware. It has a 22×24 VLX kick—the…
Clarke Rigsby and Tempest Studios
A 40-year run in any business is certainly an achievement, but one might call a 40-year run in the recording-studio business “a miracle.” But that is precisely what producer Clarke Rigsby has done—keeping the doors open at Tempest Recording in…
Thank You for Being There for Us in 2021!
What does a new year really mean? Should we fall in behind holiday tradition and write some adorable “New Year’s Resolutions” that promise bucketloads of personal evolution? It seems that everybody gets to believe their own marketing muse on the…
December 2021 - Volume 45 • Number 12
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Billy Cobham Excerpted from the August/September 1979 Issue
Billy Cobham is one of the strongest innovative forces on the drumming scene today. Both his technique, and drum set up are awesome. We met at Starr Recording Studios where Cobham was to record an instructional tape for the Tama…
Jack DeJohnette Excerpted From The October 1989 Issue
“I’m having more fun with music,” says Jack DeJohnette. “Now that I’m in my mid-40s, I don’t take everything so seriously. As I let go of a lot of past fears and false illusions about what music is supposed to…
Art Blakey Excerpted from the September 1984 issue
The first rays of dusk suffuse Art Blakey’s Greenwich Village apartment with shards of amber gray light, and as the shadows dance upon his brow, Blakey’s face takes on a totemic grace. The snow-white hair fades out of the foreground…
Peter Erskine Excerpted from the January 1983 issue
If Peter Erskine isn’t careful, he’s going to start giving jazz, musicians a good name. I mean, we all know about the reputation jazz players have with the general public, right? The stereotypical jazzer is perceived to be a sullen,…
Jon Farriss Excerpted from the October 1988 issue
Innocently and completely unexpectedly, Jon Farriss poses the question, “Are you really sure that drummers want to read about me?” It was a definite “first” within my realm of experience as a music journalist. Yet, as strange as the question…
Larry Mullen A candid interview with the drummer
Excerpted from the August 1985 issue Let me say first of all that I don’t do interviews, ever. I did them when the band started, and then 1 stopped because I didn’t enjoy them. I’ve seen issues of Modern Drummer.…
Stewart Copeland
Excerpted from the October 1982 issue How did the Police come about? I was on tour with Curved Air. We had a night off and a local journalist took me around to see his favorite local group, which was a…
Martin Chambers
Excerpted from the July 1982 issue The single biggest influence in Martin Chambers’ onstage attitude and playing considerations was Keith Moon. “He was a very good player and a very talented free player, much like Mitch Mitchell. But the thing…
