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Groove Construction, Part 10: Exploring a Killer Cowbell Pattern
In this lesson we’ll examine a pattern that I get asked about often. I recorded this groove on the song “Rave Against the Machine” with Jan Delay and Disko No. 1 in Germany some time ago... TO READ THE FULL…
Beyond the Noteheads - Benefits and Strategies for Transcribing, Part 1
I recently thought about my first lesson with the great drummer and educator Ed Soph. I was eighteen years old at the time, and my parents drove me from our home in Wilkes-Barre, Pennsylvania, to see Ed in New Haven,…
A New Perspective - Displacing Two-Over-Three Polyrhythms
This month we’re going to vary the basic phrasing of polyrhythms. Typically, both sides of a polyrhythm begin together on the first note of the rhythm. We can vary this by displacing one or both sides of the rhythm. We’ll…
Groove Construction, Part 9: Split Grooves
This month’s groove workshop introduces split patterns. In these phrases, the right hand alternates between two voices, the hi-hat and ride. The arm should hardly move; the motion should originate from the wrist. This concept is especially effective with patterns…
The Swampy Double Groove - Grease Up Your Phrases
With double grooves, the left hand plays every 8th note using unaccented strokes in between accented backbeats. I refer to these unaccented notes as “taps.” Combining this snare pattern with a standard 8th-note hi-hat figure results in a locomotive groove…
Stickings That Rock, Part 1: From A Hand Pattern to a Groove
This month we’ll look at a sticking that can be found in the first few pages of George Lawrence Stones’ book Stick Control and apply it to patterns on the drumset. The sticking, RLRR LRRL, is a staple of my…
1,000 Ways to Practice a Single Page, Part 1: Introducing the Method
I’ve always wanted a system for practicing different subjects that I can take with me anywhere without having to lug around a heavy stack of books. My students often forgot materials for their lessons, so we ended up using any…
