Education
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Stick Technique Revisited
Many drum instructors say, “Play naturally.” The problem with that statement is that we naturally hold on to things tightly. Have you ever seen someone pick up a drumstick for the first time and play smooth rebounding strokes? Great technique…
Get on the Good Foot!
Welcome to the second part of this three-part series on hi-hat comping. In this lesson we’ll explore repetitive hi-hat motifs in 3/4. The phrases included here are intended to help develop dynamic balance between the hi-hat foot and the other…
Zigaboo Modeliste on “Cissy Strut”
The Meters’ Funk Master Shares the Essence to Nailing This Timeless Two-Hand Hi-Hat Groove “‘Cissy Strut’ is a song that was written by Leo Nocentelli, and he was very good at writing rhythms,” said Zigaboo Modeliste in an online course…
Barrett Deems
The Self-Proclaimed “World’s Fastest Drummer” This month I’d like to talk about the great Barrett Deems. Barrett wasn’t as much of a household name in the big band world as Buddy Rich, Gene Krupa, or Louie Bellson, but he was…
In the Studio With Kenny Chesney’s Sean Paddock
When drummer Sean Paddock isn’t out playing stadium shows with country superstar Kenny Chesney, he’s in his newly built riverfront home studio making music. Paddock had a small area allocated for recording in his previous house, but moving to a…
Stick Technique Revisited
Part 5: The Moeller Whip Stroke The Moeller whip stroke is named after Sanford “Gus” Moeller, a famous teacher from the early 1900s who became known for teaching a whipping motion used by Civil War drummers. In recent years, “Moeller”…
Get on the Good Foot! Part 1
Hi-Hat Comping Riffs in 4/4 Jazz drummers depend on the hi-hat to help propel the band and provide strength to the weak beats of 2 and 4. When played in sync with the ride cymbal, a dynamically controlled hi-hat pulse…
Tony Allen
A Tribute to the King of Afrobeat Drumming Afrobeat pioneer Tony Allen’s contribution to modern music runs as deep as his groove. As the creator of an entirely new drumming style, his contributions are profound, and his influence has reached…
Remembering Neil Peart
Part 3: The Professor’s Improvised Warm-Up Routine When Neil Peart came up with a series of topics to cover for his course on DrumChannel.com, he said he wanted to include his warm-up routine. I expected it to be a series…
Stick Technique Revisited
Part 4: Alley-Oop The alley-oop technique is what I call a wrist/finger combination used for playing double strokes (diddles) and triple strokes. While it can be likened to the push/pull technique, which is a wrist stroke followed by a finger…
Samba Funk
Modern Fusion Beats Based on Traditional Brazilian Rhythms Hi, everybody! It’s a pleasure to be back writing for Modern Drummer and sharing some of my Brazilian culture with you. This time I am talking about my application of samba funk…
Remembering Neil Peart
Part 2: “De Slagwerker” Drum Solo Neil and I often talked about improvisation. He told me why his solo in “De Slagwerker” was so important to him. What follows are some of Neil’s own words, taken from his Drum Channel…
Chad Smith’s Three Basic Beats to Infuse with Your Own Thing
You can get ten different people playing on a basic drumset, playing a basic rock beat, and they will all sound different. We each have a signature, and that’s a beautiful thing. It’s not “my way or the highway”—it’s about…
Beat Displacements
Exercises for Internalizing 16th-Note Permutations Displacement is a beat-editing tool that can make a groove sound glitchy. This is achieved by shifting the groove in such a way that what was originally played on beat 1 is now landing somewhere…
