October 2019 Issue – Volume 43 • Number 10
Articles in October 2019
Bruce Rowland
Bruce Rowland racked up numerous recording and touring credits through his extensive work in the pop, folk, blues-rock, and rock worlds.
Ringo Starr's Maple Ludwig Hollywood Drumkit
As an iconic piece of rock ’n’ roll history, this kit has since been archived, documented, and refurbished, and it currently resides in custom road cases.
Septuplet Linear Patterns
The most fun thing about linear concepts is that almost any pattern you play can be modified in multiple ways.
Theme for an “Imaginary” Drummer
To most, Corky Laing’s drumming is synonymous with the great heavy-rock band Mountain, and vice versa.
Tony Williams at a Jazz Crossroads
During his years with Miles Davis, beginning in 1963 at age seventeen, Tony Williams radically changed jazz drumming.
JD Beck
Mentored by Dallas-area drummers like Robert “Sput” Searight, Mike Mitchell, and Cleon Edwards, JD Beck has crafted a style of crooked beats and patterns mixed with over-the-barline fluidity.
Creedence Clearwater Revival’s Doug Clifford
Given the breakneck pace at which CCR operated in 1969, it’s a wonder Clifford and Cook are still out on the road fifty years later.
The Starr Festival Snare
Over the years, Gary Astridge has meticulously researched Ringo’s drumkits and assembled exact replicas of the ones used with the Beatles.
Inverted Paradiddle-Diddles
Rudiments can essentially be described as groupings of single and double strokes in different configurations and rhythms.
The 5/4 Half-Time Shuffle
For those of you who’ve never heard the coveted half-time shuffle, which is also commonly referred to as the Purdie shuffle,...
Paiste 2002
Paiste’s 2002 series was introduced as a solution for heavy-hitting drummers on the burgeoning hard rock scene who demanded sturdier instruments with more powerful tones.
Remembering Hal Blaine
He helped pave the way for every great studio musician who came out of L.A., and his influence extends to this very day.
Zimbabwean “Tuku” Music
Combining the traditional Jit, Tsotsa, and other rhythms of Zimbabwe, the late Oliver “Tuku” Mtukudzi’s style could only be defined as distinctly his own.
Woodland Percussion
Woodland Percussion originated as a summer project for company founder and mechanical engineer Allan Fausnaught. The goal was to build a snare entirely from scratch.
Talking About Our Generations
A teaser of the momentous drumming from 1969 that our October issue explores—and a chat with the Flaming Lips' Steven Drozd about some of his favorite music from the era.
New Releases by Santana, Oz Noy, Grupo Fantasma, and More!
New Releases From Santana, Oz Noy, Betty Carter, Grupo Fantasma and more.
Advanced Techniques for Jazz Soloing
For four years I’d been studying intensely with Dom Famularo, who suddenly said during one of my lessons, “Steph, you’re now ready for Jim.”
Rancid's Branden Steineckert
“I tend to like my snares to be visually fun,” says Steineckert, “but I don’t want it to compromise my sound at all.
A Restored Gretsch Steal
This beautifully restored vintage project was from older Gretsch shells to create a road-worn-looking vintage kit that has that oft-referred-to “Great Gretsch Sound.”