October 2014 Issue – Volume 39 • Number 10
On 01st Oct 2014
LOG IN
Digital Access
$4.99 /month or $49.99 /year
SAVE $10 | Yearly Subscription
- Digital Monthly Magazine
- 47 Years of Archives (500+ Issues)
- 40+ Drum Channel
DigiPrint subscription
USA $179.99 / year (Billed Annually)
USA $14.99 /Month
Get ALL ACCESS – both digital and print
Meet DigiPrint – a collectible physically condensed magazine focusing on the cover story with virtually limitless digital access via QR codes.
All-Access includes:
- 🎁 Get a $30 gift card when you subscribe!<
- 🖥 12 monthly digital issues per year
- 📰 6 printed collectible issues per year
- 📱 Print you can hold. Digital you can explore.
Articles in October 2014
Tim Very
After four years with the dynamic rockers Manchester Orchestra—and a few before that paying dues on the indie scene—he’s finally gotten the chance to take full ownership of the drums on a widely anticipated album. And, boy, does he own…
Groove Freedom Part 3: 32nd-Note Patterns
Welcome to the third and final installment of my “Groove Freedom” series. For those of you who missed the first two lessons, these articles are based on exercises from my latest book, Groove Freedom. The book is built from the…
Maya Tuttle
Photo by Nicholas Rhodes/nickydigital.com The Colourist plays pop music—but it’s pop with teeth. As you’re drawn in by the group’s sunny boy/girl vocals, you might miss some rather less-than-cheerful lyrics. And if you think the beatsmith at the back is politely…
Ryan Brown
Photo by Thierry Joubaud Since 2006, the music of the late, legendary Frank Zappa has been alive and well in the repertoire of Zappa Plays Zappa, a band led by Frank’s son Dweezil. Until recently, Joe Travers had the job…
Artistry Versus Commerce Balance Is Everything
For this month’s column I’ve chosen to discuss the most-asked question I receive at shows, at clinics, and on the Web: “How do you balance finance and drumming?” The quote by the great Irish playwright Oscar Wilde sums up the…
Tal Bergman
DON’T LET THE BLUES FOOL YOU—GUITAR SLINGER JOE BONAMASSA’S DRUMMER OF CHOICE CAN TACKLE JUST ABOUT ANY STYLE YOU THROW HIS WAY. Tal Bergman’s dad isn’t a drum teacher, but the advice he gave his son about music was invaluable…
Syncopation Revisited Part 5: Afro-Cuban Applications
Welcome to part five in our continuing series on ways to interpret the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer. This time we’ll apply Afro-Cuban ideas to the written manuscript. The following applications can be…
Ian Paice
How does a band—and not just any band, mind you, but one that’s among the loudest and baddest to ever walk the earth—keep up the intensity decade after decade after decade? According to the only man who’s ever filled Deep…
Bill Stevenson: All or Nothing
Bill Stevenson’s playing in Black Flag and the Descendents provided an archetype for hardcore drumming, making Stevenson perhaps the most influential player from the original West Coast punk scene. Beyond the kit, his bandleading and songwriting credits with Descendents and…
Duple/Triple Single-Diddle Gear Shifters Part 1: 8th-Note Triplets and 16ths
In part one of this two-part series, we’re going to isolate our timing and sticking “gear shifts” between 8th-note triplets (twelve notes per measure) and 16th notes (sixteen notes per measure). Not only will these exercises be great for your…
