Lessons
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Rock Pattern Exercises
Excepted from Rudiments to Rock Carmine Appice designed Rudiments to Rock specifically to provide beginning drum students with fresh ideas and procedures. Through the book’s exercises and explanations, Appice takes novice percussionists from basic fundamentals to the more difficult, modern…
16th-Note-Triplet Hand and Foot Patterns
Excepted from Building Bass Drum Technique The patterns on the following four pages are built around hand and foot coordination with 16th-note triplets. The exercises become increasingly difficult as you work your way through. A slower tempo at the onset…
16th-Note Accents
Excepted from Accent Control Accents add color and dynamic variation to our drumming, and they’re an extremely essential aspect of every drummer’s technique. The 16th-note accent patterns that follow should be practiced using the four stickings shown: (a) alternate sticking…
Dynamics Mechanics
Excerpted from Rhythm & Chops Builders I believe that a drummer should be able to pick up sticks and make music on any sound source. The two biggest keys to doing this are having extensive rhythmic and rudimental vocabulary and…
Funky Shuffles
Music has changed a lot, but it’s important to see where the shuffle evolved from, because it really has a lot to do with all of the other rhythms that you play. For example, when I was playing “Kissing my…
Introduction to Jazz
Here are a couple of exercises from my Drum Channel course, Introduction to Jazz. There are many different ways to play jazz, just as there are for playing rock, Dixieland, songo, samba, or reggae. One of the things I built…
Rock/Funk Patterns with Single Paradiddles
Excerpted from Paradiddle Power The following exercises are a study in the use of single paradiddles as rock or funk patterns. Note that the right hand is played on closed hi-hat, while the left hand moves from the hi-hat to…
Flams
The traditional flam is a principal note played from a high position preceded by a grace note played from a low position. The sound of a flam is a thick one ranging from “fa-lam” at the slow beginning stage to…
