Jazz Drummer's Workshop
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Get Up! Strategies for Playing Fast and Staying Relaxed
It’s widely understood that the faster the tempo, the more relaxed your body needs to be. In some cases, however, players psych themselves out when playing fast, which in turn affects their confidence in the ability to compose beat and…
Focus on the Hi-Hat The Classic Swing Sound
Before small groups reigned supreme and the ride cymbal became king, the beacon in jazz timekeeping was the hi-hat. Jo Jones with Count Basie and Ray McKinley with Glenn Miller were masters of the hi-hat. Both players could swing an…
All Together Now! Focus on Unison Exercises
Practicing unison exercises is an excellent way to determine the accuracy and precision of your four limbs as they function together. Like links in a steel chain, the sturdiness of your groove depends on the strength of your weakest limb.…
Syncopation Revisited Part 6: Assorted Applications
Welcome to the final installment of our series on ways to interpret the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer. The following applications can be used with any of the seventy-two repetitive one-measure examples from…
Uptempo Studies - Part 1: Whole Notes and Half Notes
In this series, we’ll focus on exercises that develop flexibility and endurance when playing fast tempos (300 bpm and up). To efficiently play at these speeds, it’s essential to stay relaxed. To gain the confidence and language necessary to handle…
Syncopation Revisited Part 5: Afro-Cuban Applications
Welcome to part five in our continuing series on ways to interpret the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer. This time we’ll apply Afro-Cuban ideas to the written manuscript. The following applications can be…
Syncopation Revisited Part 4: Brazilian Applications
We continue our series on ways to interpret the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer by applying Brazilian rhythms and phrasing ideas to the written manuscript. The following applications can be used with any…
Syncopation Revisited Part 3: 5/4 Applications
We continue this month with more ways to interpret Ted Reed’s classic book Progressive Steps to Syncopation for the Modern Drummer. This time we’ll be converting the written manuscript from its original 4/4 form to 5/4 time. The following applications…
Syncopation Revisited Part 2: 3/4 Applications
We continue this month with more of my favorite ways of interpreting the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer. This time we explore ways of converting the written manuscript from its original form to…
Syncopation Revisited Part 1: Basic Applications
This month’s Jazz Drummer’s Workshop features some of my favorite applications of the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer. Syncopation has been a staple since it was first published in 1958 and is regarded…
Shifting Sands
Rhythmic Transition Examples Transitioning from one time signature, tempo, or musical style to another is a very common technique in modern jazz. These shifts are often referred to as metric modulations, where a specific note value from the current tempo…
Mickey Roker Style and Analysis
Mickey Roker was born in Miami in 1932, and at age ten he moved to Philadelphia, where he still resides today. Throughout the 1940s and ’50s, Philadelphia was an epicenter for aspiring musicians, including John Coltrane, Stan Levey, the Heath…
Stick Control Revisited Part 4
Part 4: Up-Tempo Studies Welcome to the fourth and final installment in our series on Stick Control drumset applications. This month we’ll explore ways of interpreting author George Lawrence Stone’s exercises while playing up-tempo swing rhythms. As you practice the…
Bebop Syncopation, Part 3: Elvin Jones
Elvin Jones was a driving force behind John Coltrane’s explorations in the 1960s and is widely regarded as one of the most important figures in jazz drumming. This lesson applies the principles of his style to rhythms found in the…
