Education
Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.
Exploring The New Frontier — Moving Beyond Pattern-Based Thinking
Practice materials laid out in any given method book are often validated by the possibilities for musical application that await those who work through the pages patiently of diligently. This article is designed to give you a glimpse of the…
Don’t Disturb the Groove! Part 1: Broken Doubles and Paradiddles
“Don’t disturb the groove.” Whether we’re playing to an audience that’s pumping their fists, moshing, or simply dancing, as drummers we never want to be the one held responsible for clearing the floor. But what happens when someone yells, “Give…
Improve Your Bottom Line Part 1: Bass Drum Comping in 4/4
Drummers depend on the bass drum to help drive the band and provide depth to their time feel. Throughout the 1920s and ’30s, the bass drum was the “solid four” timekeeper of the rhythm section. Many modern jazz drummers use…
Inner Drumming — Listening With All Limbs, Part 3
In parts one and two of this series (April and June 2012), we worked with one, two, and three limbs. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
Funky Threes — Breaking the Mold With Broken Stickings
In this article, we’re going to look at a very simple three-note sticking pattern (LLR) and apply it on the drumkit in a way that you may not have thought of before—with the double strokes voiced between the hi-hat and…
Make It Swing! Part 2: Coordination and Consistency
Part one of my “Make It Swing!” series, which ran in the December 2011 issue, contained excerpts from my book Jazz Drumming Essentials and More. That article was an overview of techniques used to develop a strong swing feel when…
The CRASH Course to Success Part 3: Attitude
This article focuses on the third portion of my CRASH concept (“commitment, relationships, attitude, skill, hunger”) for attracting success to your drumming career—and that’s attitude. Attitude is everything in life. It will make or break just about anyone on any…
Metrically Modulated Drum ’n’ Bass
Using Triplets to Imply Faster Tempos Over the past decade, the drum ’n’ bass style of drumming has taken off in a big way. Many drummers tend to emulate this style by simply playing in double time. For example, if…
Swingin’ the Clave
Advanced Exercises for Developing Independence In jazz, the ride cymbal is the focal point for creating a flowing, swinging time feel. In Afro-Cuban music, the clave assumes this role. Essentially, clave is to Afro-Cuban music what the ride cymbal beat…
Composing on the Drumset
Simple Ways to Bring More Intention to Your Grooves I believe that as drummers we have the ability to create music and compose on our instrument in more ways than in the conventional manner. We learn good technique through the…
Burning on Double Bass — Basic Hand/Foot Patterns
There are no shortcuts in gaining control in drumming. Just as it takes time to develop speed and accuracy with your hands, the same applies to your double bass playing. The important things are to be focused in your practice…
Inner Drumming Listening With All Four Limbs, Part 2
In my previous article (April 2012), I explained the concept of listening—or sounding—with each individual limb and the importance of practicing increased internal awareness of the energy flow from limb to limb. The exercises started by focusing on one limb…
