Education
Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.
Funky Shuffles
Music has changed a lot, but it’s important to see where the shuffle evolved from, because it really has a lot to do with all of the other rhythms that you play. For example, when I was playing “Kissing my…
Dynamics Mechanics
Excerpted from Rhythm & Chops Builders I believe that a drummer should be able to pick up sticks and make music on any sound source. The two biggest keys to doing this are having extensive rhythmic and rudimental vocabulary and…
16th-Note Accents
Excepted from Accent Control Accents add color and dynamic variation to our drumming, and they’re an extremely essential aspect of every drummer’s technique. The 16th-note accent patterns that follow should be practiced using the four stickings shown: (a) alternate sticking…
Introduction to Jazz
Here are a couple of exercises from my Drum Channel course, Introduction to Jazz. There are many different ways to play jazz, just as there are for playing rock, Dixieland, songo, samba, or reggae. One of the things I built…
Rock/Funk Patterns with Single Paradiddles
Excerpted from Paradiddle Power The following exercises are a study in the use of single paradiddles as rock or funk patterns. Note that the right hand is played on closed hi-hat, while the left hand moves from the hi-hat to…
Flams
The traditional flam is a principal note played from a high position preceded by a grace note played from a low position. The sound of a flam is a thick one ranging from “fa-lam” at the slow beginning stage to…
The Fine Art Of “Faking”
We all, at some time in our careers, have had to perform in front of an audience without the benefit of a rehearsal or a written part. This can happen for a variety of reasons. You might be asked to…
Syncopated Fills
This month, we’ll explore another type of drum fill—one that incorporates syncopation. Syncopation is displacing the regular metric accent and emphasizing the weak beat. In this context, that means resting on the downbeat. With one or more of the strong…
Six-Way Independence
In my “Six-Way Independence” master class on Drum Channel, I wanted to give my students the opportunity to learn the way I learned, and how I came up with my concepts. I started thinking about all of the combinations I…
Balancing Grunt Work and Creativity
This is a follow up to the March 2021 article I did for MD entitled “Practice Like a Pro.” (You can find it at moderndrummer.com.) In that piece, I shared techniques that can be used to effectively learn songs. Muscle…
Three-Against-Four Polyrhythm
These exercises will guide you through a fusion of African and American elements. On the American side, we have shuffle and shuffle-funk. On the African side, we have the rhythms from Cameroon known as mangambe and bikutsi. Playing these exercises…
Double-Bass Eighth Notes with Foot Two
Realistic Double Feet can be performed on a double-bass drum set or a regular drum set with foot one playing the bass drum and foot two playing the hi-hat. For this exercise, dive into the rhythmic concept first, and then…
Developing a Musical Concept
One of the key aspects in developing a musical concept for show and studio performance—or any other area of performance for that matter—is the tuning of your drums. Too many players overlook this elementary consideration. When your drum set is…
Crashes in Your Fills
The stereotypical rock drum fill might be a measure of 16th notes cascading around the kit from snare to toms, but there are many other options. As we progress as players, we want to increase our vocabulary of beats and…
