Aaron Edgar
Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.
A New Perspective - Displacing Three-Over-Four Polyrhythms
A three-over-four polyrhythm is comprised of sets of three equally spaced notes and four equally spaced notes that occupy the same timeframe. Typically both sides of the polyrhythm start together on the same note and utilize the same subdivision. If…
Septuplet Permutations - Diving Deep Into an Odd Subdivision
I find that the best way to become proficient with a new subdivision is to isolate each partial within the grouping and then combine the partial with all of the other available notes in the subdivision. Using triplets as an…
Septuplet Fives - Polyrhythmic Permutation
Seven over five can be a challenging polyrhythm to master. We’ll start building this rhythm by playing every fifth septuplet partial in a measure of 5/4. It can take plenty of dedicated practice to master this figure, especially when we…
Progressive Drumming Essentials, Part 2: Demystifying Polyrhythms
Rock Perspectives Progressive Drumming Essentials Part 2: Demystifying Polyrhythms by Aaron Edgar Polyrhythms, which are two contrasting subdivisions played simultaneously, can create beautifully hypnotic, entrancing patterns that dance around the pulse. They can also weave themselves into complete and utter…
ROCK PERSPECTIVES - Progressive Drumming Essentials
Has a song ever caught your ear in just the right kind of wrong way, leaving the music feeling twisted? You knew the musicians were playing together correctly, and you might have even been familiar with the song, but what…
Progressive Drumming Essentials, Part 3: Polyrhythmic Patterns
Rock Perspectives Progressive Drumming Essentials Part 3: Polyrhythmic Patterns by Aaron Edgar Last month we learned some of the theory behind polyrhythms, along with how to play these patterns in their most basic form. The next step is to learn…
Progressive Drumming Essentials, Part 4: How to Feel Odd Subdivisions
Rock Perspectives Progressive Drumming Essentials Part 4: How to Feel Odd Subdivisions by Aaron Edgar When I was first learning quintuplets and septuplets, I would mentally cut them into smaller groups of two and three. So quintuplets would be felt…
Progressive Drumming Essentials - Part 5: Incorporating Odd Groups Into Grooves and Fills
One of my favorite things to do with quintuplets and septuplets is to create syncopated, angular-sounding grooves. Exploring this unusual territory can lend itself to establishing unique feels with a lot of rhythmic tension. TO READ THE FULL STORY: SUBSCRIBE…
A New Perspective - Part 2: Three-Over-Two Linear Polyrhythms
The three-over-two polyrhythm is made up of two contrasting rhythms (three equally spaced notes over two equally spaced notes) that are played simultaneously. We can build this polyrhythm by choosing one subdivision to act as a common denominator between the…
Odd Subdivision Offbeats - Ten- and Fourteen-Note Groupings
When examining 32nd notes, we see that they’re twice as fast as 16th notes. Similarly, we can take this idea of doubling subdivisions and apply it to any grouping. In this lesson we’re going to explore ten- and fourteen-note subdivisions,…
A New Perspective - Displacing Two-Over-Three Polyrhythms
This month we’re going to vary the basic phrasing of polyrhythms. Typically, both sides of a polyrhythm begin together on the first note of the rhythm. We can vary this by displacing one or both sides of the rhythm. We’ll…
