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Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.

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J. J. Johnson and Tyler Greenwell on Everything’s OK by Whose Hat Is This?

The Tedeschi Trucks Band’s killer double-drummers slay on their second completely improvised side-project release.

Story by Willie Rose | Photo by Marc Lowenstein
Nov 30, 2018

Clint Schnase on Cursive’s Vitriola

The original drummer for the biting Nebraska indie group rejoins them in the studio for a raucous homecoming.

Article by Willie Rose | Photo by Hiro Tanaka
Oct 30, 2018

Dean Butterworth on Good Charlotte’s Generation Rx

The pop-punk mainstays deliver again with powerful hooks and purposeful songs charged by their versatile ace behind the skins.

Article by Willie Rose | Photo by Ryan Watanabe
Sep 28, 2018

Joe Magistro on the Magpie Salute’s High Water I

Long-running relationships, veteran perspectives, and killer tones power the first studio release from a collective of seasoned pros.

Story by Willie Rose | Photo by Laurent Chanez
Aug 29, 2018

Matt Starr on Mr. Big’s Live From Milan

The latest live release from the seminal rock hitmakers documents one of the group’s last performances with their founding sticksman, Pat Torpey.

by Willie Rose
Jul 31, 2018
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Ryan Pope on the Get Up Kids’ Kicker

Wild drum tones, energetic grooves, and signature hooks fuel the eminent group’s first release in seven years.

Story by Willie Rose | Photo by Favorite Sites and Sounds
Jun 27, 2018

John McEntire on the Sea and Cake’s Any Day

The multi-instrumentalist and Tortoise drummer ably anchors this Chicago indie-rock group’s outstanding new release.

Article by Ben Meyer | Photo by Andrew Paynter
May 30, 2018

Dafnis Prieto on the Dafnis Prieto Big Band’s Back to the Sunset

The prolific Afro-Cuban and jazz connoisseur honors his musical heroes with a heavy ensemble.

Article by Willie Rose | Photo by Henry Lopez
Apr 25, 2018

Santiago “Jimmy” Vela III on the Sword’s Used Future

Monstrous grooves underlie heavy riffs and Black Sabbath–inspired melodies on the group’s latest release.

Article by Willie Rose | Photo by Dean Dickinson
Mar 28, 2018

Ian Chang on Son Lux’s Brighter Wounds

A sharp drummer’s forward-thinking electronic concepts and downright dirty acoustic grooves shine on the trio’s latest release.

Article by Willie Rose | Photo by Magdalena Komorowska, Music Interruption
Feb 28, 2018

John Convertino on Calexico’s The Thread That Keeps Us

A presidential election, a trip west to the coast, and an immersion in nature invigorate the indie mainstay’s latest foray into Tex-Mex-infused Americana bliss.

Article by Willie Rose | Photo by Eric Stoner
Jan 31, 2018

James Cassells on Asking Alexandria’s Asking Alexandria

TO READ THE FULL STORY: LOG IN Digital Access $4.99 /month or $49.99 /year SAVE $10 | Yearly Subscription Digital Monthly Magazine 47 Years of Archives (500+ Issues) 40+ Drum Channel Subscribe Now All Access (Print + Digital) USA $179.99…

by Ben Meyer
Dec 28, 2017
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Malachi DeLorenzo on Langhorne Slim’s Lost at Last, Vol. 1

A drummer and producer talks about the subtle, refined, and contemplated figures and tones that bedeck an indie/folk singer-songwriter’s latest release.

Story by Willie Rose | Photo by Derek Brad
Nov 30, 2017

Matt Greiner on August Burns Red’s Phantom Anthem

Pinpoint precision, burning chops, and odd time signatures abound on the veteran metalcore group’s latest offering.

Article by Willie Rose | Photo by Ray Duker
Oct 31, 2017
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