Education
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Five-Note Phrasing - Part 2: Adding More Tension and Release
In this lesson we’ll continue exploring five-note phrases within a 16th-note subdivision. To become fluent with these groupings, you need to internalize where the five-note phrase begins and ends. To review, let’s reinforce the ability to hear the starting point…
Must-Know Grooves - Disco, a Drumming Staple of the 1970s
In this new series we’ll be taking a close look at some of the most influential, practical, and essential drum grooves of all time, studying a pattern’s history and learning how to play it step-by-step. If you’re serious about getting…
Blake Richardson on Between the Buried and Me’s Automata, Part 1
Digging Into the Veteran Technical-Metal Group’s Latest Offering
Maximize Your Practicing — Get the Most From Whatever Time You Have
It seems that now more than ever we live in a world where it’s a challenge to find the time to do anything outside our daily responsibilities. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
Fours and Sevens in 7/8 — Part 1: Single Strokes
This month we’re going to work on a couple of shortburst single-stroke rudiments: the single four and single seven. The key to executing these rudiments effectively is using finger control to play rapid free strokes. Single fours and sevens are…
Improve Your Bottom Line — Part 2: Bass Drum Comping in 3/4
Continuing with the concept introduced in the last issue, this article explores bass drum comping ideas in 3/4. The phrases included here are intended to help you develop dynamic balance with your right foot in conjunction with your three remaining…
Exploring The New Frontier — Moving Beyond Pattern-Based Thinking
Practice materials laid out in any given method book are often validated by the possibilities for musical application that await those who work through the pages patiently of diligently. This article is designed to give you a glimpse of the…
Don’t Disturb the Groove! Part 1: Broken Doubles and Paradiddles
“Don’t disturb the groove.” Whether we’re playing to an audience that’s pumping their fists, moshing, or simply dancing, as drummers we never want to be the one held responsible for clearing the floor. But what happens when someone yells, “Give…
Improve Your Bottom Line Part 1: Bass Drum Comping in 4/4
Drummers depend on the bass drum to help drive the band and provide depth to their time feel. Throughout the 1920s and ’30s, the bass drum was the “solid four” timekeeper of the rhythm section. Many modern jazz drummers use…
Inner Drumming — Listening With All Limbs, Part 3
In parts one and two of this series (April and June 2012), we worked with one, two, and three limbs. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
Funky Threes — Breaking the Mold With Broken Stickings
In this article, we’re going to look at a very simple three-note sticking pattern (LLR) and apply it on the drumkit in a way that you may not have thought of before—with the double strokes voiced between the hi-hat and…
Make It Swing! Part 2: Coordination and Consistency
Part one of my “Make It Swing!” series, which ran in the December 2011 issue, contained excerpts from my book Jazz Drumming Essentials and More. That article was an overview of techniques used to develop a strong swing feel when…
The CRASH Course to Success Part 3: Attitude
This article focuses on the third portion of my CRASH concept (“commitment, relationships, attitude, skill, hunger”) for attracting success to your drumming career—and that’s attitude. Attitude is everything in life. It will make or break just about anyone on any…
Metrically Modulated Drum ’n’ Bass
Using Triplets to Imply Faster Tempos Over the past decade, the drum ’n’ bass style of drumming has taken off in a big way. Many drummers tend to emulate this style by simply playing in double time. For example, if…