Education

Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.

Advertisement

Drumming And The Big Move

Every now and then, I receive a letter from a frustrated young drummer. Many of the letters say something like: “I have been playing for X amount of years. I’ve taken some lessons, but my reading needs improvement. I play…

by Roy Burns
Sep 24, 2018

Dueling Drumsets

Back in the ’50s, Jazz At The Philharmonic presented a “drum battle” featuring Gene Krupa and Buddy Rich. To my knowledge, it was the first time they had appeared together. It was an exciting event, and it generated great interest…

by Roy Burns
Sep 20, 2018

Artificial Groupings For Fills

In the July, 1984 MD, in the Ask A Pro column, a reader asked Steve Smith about a fill Steve played on the Journey song “Separate Ways (Worlds Apart).” The notation looked like this: Now, if you were like many…

by James Morton
Sep 20, 2018

Drumming And The Big Break

Young drummers often ask the question, “How did you get your big break?” In my own case, it started when I met Louie Bellson in Kansas City. Louie was visiting the drum studio where I was taking lessons. He played…

by Roy Burns
Sep 14, 2018

Study In 8th-Note Triplets

This month’s Rock Perspectives examines some time feels involving the use of the 8th-note triplet. When practicing these examples, remember to concentrate on the two sound levels (dynamics): Accented notes should be played forte (f), and unaccented notes pianissimo (pp).…

by David Garibaldi
Sep 14, 2018
Advertisement

Drumming And Recording

A red light means “go,” but only in the music business. In every recording studio, the red light means “musicians at work.” The red light means it is time to be serious. The red light means this is a “take.”…

by Roy Burns
Sep 11, 2018

The Quarter-Note Funk Hi-Hat Style

The quarter-note hi-hat style has a distinctive sound and feel that makes it well worth the extra effort required to perfect it. I first heard this style played by Clyde Stubblefield on James Brown’s recording of “Mother Popcorn,” and many…

by Jim Payne
Sep 11, 2018

International Drummers’ Meeting

For the third year in a row, Drumland (a division of the Pro Sound music chain in Germany) recently presented their International Drummers’ Meeting in Koblenz. The director of Drumland—and host for this event—is Jurge Mader. Each year, Jurge brings…

by Roy Burns
Sep 6, 2018

Individual Hand Control

An effective way to develop control and strength with two hands is to look at the hands individually, one at a time. This is a good way to identify the problems in each hand and to concentrate on the solution…

by Glen A. Bush
Sep 6, 2018

Drumming And Sitting In

A young friend of mine from Massachusetts recently told me the following story. He was working in a club with the group he usually plays with. A man came up to him and asked if he could sit in. My…

by Roy Burns
Aug 30, 2018

The Five-Note Fill/Solo Concept

Here is an idea for use in either fills or soloing. The study is based on the following five-note pattern: The five-note pattern, when played as consecutive triplets or 16th notes in 4/4 time, comes back to where it began…

by David Garibaldi
Aug 30, 2018

Drumset Ergonomics - Part 4: Snare and Floor Tom Positioning

If you’ve been applying the concepts we’ve discussed so far in this series, you should now be seated comfortably at your kit, with the throne and pedals placed so that your hips and back are in the safest possible positions.…

by Brandon Green
Aug 29, 2018
Advertisement

Tooling with Perspectives

Shifting Feel in Real-World Settings

by Aaron Edgar
Aug 29, 2018

Al Foster on “Ev’rything I Love”

Analyzing the Jazz Great’s Eights

by Jordan Young
Aug 29, 2018
Advertisement