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Phil Ehart
Kansas Pet Sounds (September 2005 Issue)
It's been seventeen years since the original Kansas lineup recorded tmgether.
Such an event merits special circumstances, for sure.
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Ira Elliot
Nada Surf’s Vinyl Obsessive Gets Personal With MD (July 2009 Issue)
My own little record store, containing only albums I still like after twenty-five years–that’s suddenly what all my records look like splayed out across my room.
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William Ellis
Blue Merle's
Burning Drummer (September 2005 Issue)
When William Ellis and his Blue Merle bandmates began work on
their debut album, Burning In The Sun, the biggest challenge was to hold back.
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Paul and Billy English
Willie Nelson's Solid Support (September 2005 Issue)
Throughout the twists and turns of his mythical musical
lifetime, Willie Nelson has displayed the rarest of artistic traits - flexibility, which seems to distinguish Nelson's intimate
musical "family" as well. Among Willie's family members are drummers Paul and Billy English, brothers in arms with
backgrounds steeped in versatility.
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Josh Eppard
Prog Mind, Groove Heart (September 2005 Issue)
Though Coheed & Cambria's drummer Josh Eppard grew up playing
along to Sly & The Family Stone's sticksman Gregg Errico, and also cites The Cars as a musical influence, the band's
progressive rock underpinnings challenge him.
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Adrian Erlandsson
Persistence = Success (May 2005 Issue)
If there's any lesson to be learned from the success of Cradle Of Filth drummer Adrian Erlandsson,
it's the valuable concept of persistence.
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Lester Estelle
Divine Drumming Intervention (September 2005 Issue)
As a young lad growing up in Kansas City, Missouri, Lester Estelle knew
that divine intervention would dictate his calling. "I started playing drums when I was three," he says. "By the time I was six, I was
up in the front of my dad's church playing in the band."
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Shane Evans
Collective Soul Embracing The Machine (September 2005 Issue)
Name the musician who said, "I got more interested in
sampling honest sounds, like throwing a wrench at a sheet of metal, getting some crazy sound, finding the rhythm in the chaos,
then sampling and looping it."
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