Artist Updates
Caught in the Web Exclusive
Drum Gods
Photo Gallery
Forum (New Window)
Blogs
News
Clinics and Events
The Showroom
Hear the Gear
Hear the Music
MD Videos
Accessories
Apparel
Back Issues (New Window)
Books
CDs
MD Digital Archive
Snare Drum Selects
Videos/DVDs
Print Subscription
(includes Digital Free)
Digital only Subscription
New Subscription
Gift Subscription
Renew Subscription
Digital Activation
Change Address / Email
Subscription Status
Cancel Subscription
Missing / Damaged Issue
Customer Service
Refer A Friend
New Subscription
Gift Subscription
Renew Subscription
Change Address / Email
Subscription Status
Cancel Subscription
Missing / Damaged Issue
Customer Service
Refer A Friend
Sabian Xs 20
Modern Drummer Magazine Current Issue

December 2009 
on NEWSSTANDS
11/2/09

  • Max and Jay Weinberg
  • Make Money At Sea
  • TV's Greatest Drummers
  • And Much More!

Subscribe
And Save !

RSS Feed on Modern Drummer Magazine Go to Home Page of Modern Drummer Magazine
Cart Empty
No Books
Drummers News and Events Contests Multimedia Shop Education Contact Subscriber Services
Back

Ryan Hoyle (April 2008 Issue)
Jumping Off The High Ledge With Paul Rodgers

After graduating from the University of North Texas, Ryan Hoyle planned on building a successful career as a Nashville session drummer. But after being hired to drum on Collective Soul’s 2004 album, Youth, and touring with the band for a year, those plans changed, when he officially joined the group in 2006.

    During a hiatus prior to recording 2007’s Afterwords, Ryan had the dream opportunity to play drums for one of his favorite performers, Free/Bad Co. singer Paul Rodgers. The brief UK tour included the recording of a live DVD, Paul Rodgers Live In Glasgow.  While Hoyle was very familiar with Rodgers’ catalog, the gig proved to be radically different from playing live with Collective Soul.

    “Collective Soul’s music is about consistency,” Ryan explains. “It’s more structured and focuses on how certain parts work together to create the whole. Much of our show includes click tracks, and some songs use sequencing or tempo guides. Paul’s gig was quite the contrary. There was no click, and songs were drastically different in form and tempo from night to night. I had to get into a headspace where I could listen, play, and react almost like a jazz player.”

    As a drummer, Hoyle is most passionate about maintaining an innovative approach to the kit. “I’m drawing inspiration from my experience as a programmer,” he offers, “applying that back to the acoustic arena, discovering the millions of different sounds you can get from a drum. The spirit of drumming is all about doing many more things at one time than you should be able to do, and throwing in ideas that nobody would quite think of. There are no rules: it’s completely wide open, and I love that.”

Gail Worley



Back

Guitar Center Grand Finals 09Snare Drum Selects Vol. I
Modern Drummer Digital
Cascio Interstate Carter Beauford
Modern Drummer It's Better to Give And Receive

Modern Drummer Magazine © 2009
Privacy Policy