Artist Index
Most Viewed Articles
Photo Gallery
Blogs
News
Clinics and Events
The Showroom
Hear the Gear
Hear the Music
MD Videos
Accessories
Apparel
Back Issues (New Window)
Books
CDs
MD Digital Archive
Snare Drum Selects
Videos/DVDs
Print Subscription
(includes Digital Free)
Digital only Subscription
New Subscription
Gift Subscription
Renew Subscription
Digital Activation
Change Address / Email
Subscription Status
Cancel Subscription
Missing / Damaged Issue
Customer Service
Refer A Friend
New Subscription
Gift Subscription
Renew Subscription
Change Address / Email
Subscription Status
Cancel Subscription
Missing / Damaged Issue
Customer Service
Refer A Friend
Modern Drummer Magazine Current Issue

April 2010 
on NEWSSTANDS
03/05/10

  • The Flaming Lips'
  • Kliph Scurlock &
  • Steven Drozd
  • Alex Lopez
  • Deantoni Parks
  • and much more!

Subscribe
And Save !

RSS Feed on Modern Drummer Magazine Go to Home Page of Modern Drummer Magazine
Cart Empty
No Books
Drummers News and Events Contests Multimedia Shop Education Contact Subscriber Services
Go to Artist IndexTo Artist Index

Adrian Erlandsson 
(May 2005 Issue)

Persistence = Success

Adrian ErlandssonIf there's any lesson to be learned from the success of Cradle Of Filth drummer Adrian Erlandsson, it's the valuable concept of persistence. Before joining the successful speed metal outfit in 1999, the Swedish-born Erlandsson worked with the bands At The Gates and The Haunted. But those gigs didn't pay the bills. In fact, back then, Erlandsson found himself toiling at day jobs just to make ends meet. It almost caused him to throw in the towel.

'those days were really difficult," Erlandsson admits, "and I nearly gave up on trying to make a living out of music. But fortunately I stuck with it and have built it up to where I am today. It's a position that I don't take for granted at all. I'm dedicated to maintaining it."

The evidence of such dedication can be heard on Cradle Of Filth's latest release, Nymphetamine, which finds the drummer skillfully burning his way through an impressive assortment of cuts. Of course, such rapid precision doesn't come without a dose of perfectionism. "I'm very particular about playing the take as well as I possibly can, so that we don't have to do any computer editing," says Erlandsson.

"When we recorded the latest album," the drummer continues, "I did all of the tracking with the whole band playing together at the same time. I think that really added to the live feel of the tracks. I also found it very inspiring to hear everything played at once, and it actually caused me to come up with some new parts that I hadn't thought of in the rehearsal room."


Waleed Rashidi

Go to Artist IndexGo to Artist Index

Free MD WIRE E-NEWSLETTER Sign-up
Visit Modern Drummer on myspace, facebook, and twitter.


Modern Drummer Magazine © 2010
Privacy Policy

myspace facebook twitter