In this episode, Mike and Mike share two of their favorite odd-time songs, and then they discuss the importance of dynamics in drumming. The featured artist is Halsey/Ryan Adams’ Nate Lotz. The gear review section focuses on Yamaha’s revamped Recording Custom drumset. After answering several listener questions, the show concludes with picks of the week.
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In this episode, Mike and Mike share their thoughts on proper seat height. The featured artist is Paul Wandtke of the metal band Trivium. The gear review section focuses on Paiste’s humongous 26″ Giant Beat crash-ride. After fielding several audio questions from listeners and sharing their picks of the week, the hosts select this week’s contest winner of a free Modern Drummer subscription, an MD stick bag, and a brick of Vater’s Mike Johnston signature sticks.
Episode 62: Bass Drum Technique, Brad Wilk, and More In this episode, Mike and Mike dig into the November 2016 issue of Modern Drummer and discuss alt-rock great Brad Wilk and some interesting titanium and bronze snares from Van Kleef. The education topic this week is developing bass drum technique. After fielding several audio questions […]
We recently caught up with Calhoun at a Living Colour show and chatted with him about the gear he’s using on tour to support the band’s latest release, Shade. His Mapex Saturn series kit is outfitted with some new prototype heads. “I’m experimenting with Evans’ Red Hydraulics,” Will says. “They allow me to smash the drums in a big room without having too many overtones.”
The Modern Drummer Podcast With Mike and Mike Episode 61: Will Calhoun, Memorable Drum Solos, and More In this episode, Mike and Mike crack open the November 2016 issue of Modern Drummer and discuss cover artist Will Calhoun (Living Colour). They also talk about what qualities they feel make a drum solo memorable. The gear […]
It might initially seem strange using the term “groove??? in conversations about patterns based in odd subdivisions. But examples of these phrases being used in popular music are abundant. A perfect song to demonstrate this concept is Snoop Dogg’s track “Protocol,??? from More Malice, which is clearly phrased in septuplets.
In this lesson we’ll use a three-rule system to create grooves with 16th notes that are broken up between the hi-hat and snare. Generally I feel that the two cornerstones of any groove are the snare accents and bass drum figures. Often when playing with others, the bass player interacts with the kick pattern, and the guitar sometimes accents beats 2 and 4 with the snare.
This month we’ll continue exploring Swiss rudimental drumming with some additional patterns and combinations. We’ll also cover their interpretation to help develop the style’s authentic phrasing. Once again, we’ll use a style of notation developed by late educator Dr. Fritz Berger, as illustrated in this lesson’s key.
This year Paiste introduced a slew of new cymbals, including an entire line of heavily hammered 2002 Big Beats, signature rides for top artists like Carl Palmer and Danny Carey, and some massive hi-hats and rides in the 2002 and Giant Beat series. We were sent a pair of huge 17″ 2002 Sound Edge hi-hats and a mammoth 26″ Giant Beat crash/ride. Both are made by hand in Switzerland from B8 alloy. Let’s check them out!
The Recording Custom series has a long history in the world of drumming. The kit originally launched in the mid-’70s as the YD-9000, taking on the Recording Custom name in the mid-’80s. Over the years, the Recording Custom has changed in a few ways, but its all-birch shell has remained the unwavering trademark of the series since its inception. Yamaha recently collaborated with drumming icon Steve Gadd to revamp the Recording Custom for 2016. According to Yamaha, the result is a “refined, focused sound with…deeper tones.??? Let’s dig in!The Review Kit
Sheffield, England–based VK Drums has quickly risen to the top of the high-end custom-shop heap with its elegant and highly musical range of snare drums. We tested a trio of titanium, stainless-steel, and aluminum models in the March 2016 issue, which came equipped with stainless-steel hardware and straight hoops. Now the company is offering a snare that is fabricated entirely from titanium (except the heads and wires, obviously) and a 4mm cast-bronze drum with matching bronze hoops. We were sent one of each to review.
CRX is the China-made sub-brand of TRX cymbals designed to offer professional-quality sounds at competitive prices. The latest offerings from CRX include a collection of ten Stack Packs designed to create white-noise special effects. The collection comprises various combinations of splashes, Chinas, and perforated Stackers from the Classic, Xtreme, and Rock series. We were sent eight of the ten pairs to review. We’ve divided those eight into two groups: those incorporating 8″ to 12″ cymbals and those incorporating 10″ to 14″ models.
Evans is celebrating its sixtieth anniversary with a tribute to the calfskin heads drummers used prior to the implementation of Mylar plastics. These new old-school heads, called Calftone, feature a layer of beige, subtly textured synthetic material over a clear single-ply base (7mil for tom/snare models and 12mil for bass drum sizes). Like all Evans drumheads, the Calftone utilizes the Level 360 collar that’s designed so that the head sits freely on the bearing edge for optimal tuning and tone.
Listen to music from the November issue of Modern Drummer magazine, including cover artist Will Calhoun on a classic Living Colour track and paying tribute to Elvin Jones on his new solo album, Carmine Appice on a Vanilla Fudge nugget, Brad Wilk with the new rap/rock supergroup Prophets of Rage, under-recognized jazz drummer Stu Martin with the Quincy Jones Orchestra, and many, many more.